January 2020 Capsules

Like Someone in Love
There aren’t many imposed time limits in either this or in the context of Kiarostami’s sadly curtailed career, but throughout there’s the sense of the director and his characters running out of time. The need to complete a sordid assignment, to replace a drive belt, to translate a few lines: none of these are given specific deadlines, but the characters nevertheless rush forward trying to get them over with. In their midst is Takashi, who has nothing but time: time to drive around, to light candles, to move across his apartment. Their collision is between the old and the new, the societal and the interior, and the results are unbearably poignant.

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