Top 16 of 2018

This year, I definitely cut back on both film watching and writing on films released this year in favor of viewing for my podcast. Perhaps because of this general consistency of viewing, despite an even lower number of films that I truly loved than the doldrums of last year, I feel much more enthusiastic about the riches that this film year had to offer. Many of these filmmakers were known quantities, but they seemed to surprise me and reveal heretofore unknown depths or avenues, in ways that augmented their strengths rather than serving as the sole overwhelming asset.

The following list is formed from the reds, oranges, greens, and blues that I have seen at time of writing that were commercially released in New York City in 2018. A list, not the list.

first reformed

1. First Reformed (Paul Schrader)

other side

2. The Other Side of the Wind (Orson Welles)

day after

3. The Day After (Hong Sang-soo)

fallout

4. Misson: Impossible – Fallut (Christopher McQuarrie)

ballad

5. The Ballad of Buster Scruggs (Joel & Ethan Coen)

bisbee

6. Bisbee ’17 (Robert Greene)

burning

7. Burning (Lee Chang-dong)

zama

8. Zama (Lucrecia Martel)

soleil

9. Un beau soleil intérieur (Claire Denis)

beale street

10. If Beale Street Could Talk (Barry Jenkins)

before we vanish

11. Before We Vanish (Kiyoshi Kurosawa)

isle of dogs

12. Isle of Dogs (Wes Anderson)

camera

13. Claire’s Camera (Hong Sang-soo)

lazzaro

14. Happy as Lazzaro (Alice Rohrwacher)

girls

15. Support the Girls (Andrew Bujalski)

star

16. A Star Is Born (Bradley Cooper)

My Top 10 Discoveries During 2018 (for first-time viewings of films made before 2000)

  1. The Magnificent Ambersons (1942, Orson Welles)
  2. Meet Me in St. Louis (1944, Vincente Minelli)
  3. Only Angels Have Wings (1939, Howard Hawks)
  4. Late Spring (1949, Yasujiro Ozu)
  5. Napoléon (1927, Abel Gance)
  6. A Star Is Born (1954, George Cukor)
  7. Sansho the Bailiff (1954, Kenji Mizoguchi)
  8. Taipei Story (1985, Edward Yang)
  9. Gertrud (1964, Carl Theodor Dreyer)
  10. That Day, on the Beach (1983, Edward Yang)

Top 19 of 2017

2017 was, to put it mildly and flippantly, an utter oddity of a year in so many ways. When I look at my list, the overall quality of the films themselves was perhaps no poorer than in the monumental selections of the past two years, but there was a certain bewilderment, a malaise that put me at a distance. With the exception of Twin Peaks: The Return, there was practically no film where my love was not complicated in some way, and it seems equally due to the films as it is to the year at large.

The following list is formed from the reds, oranges, greens, and blues (plus a few more) that I have seen at time of writing that were commercially released in New York City in 2017. It is a snapshot rather than a permanent fixture.

no1

1. On the Beach at Night Alone (Hong Sang-soo)

no2

2. The Work (Jairus McLeary and Gethin Aldous)

no3

3. Faces Places (Agnès Varda & JR)

no4

4. Princess Cyd (Stephen Cone)

no5

5. Good Time (Josh & Benny Safdie)

no6

6. Baahubali 2: The Conclusion (S.S. Rajamouli)

no7

7. Lady Bird (Greta Gerwig)

no8

8. The Meyerowitz Stories (New and Selected) (Noah Baumbach)

no9

9. Phantom Thread (Paul Thomas Anderson)

no10

10. Resident Evil: The Final Chapter (Paul W.S. Anderson)

no11

11. The Son of Joseph (Eugène Green)

no12

12. 120 BPM (Beats Per Minute) (Robin Campillo)

no13

13. Marjorie Prime (Michael Almereyda)

no14

14. Call Me by Your Name (Luca Guadagnino)

no15

15. The Post (Steven Spielberg)

no16

16. Hermia & Helena (Matías Piñeiro)

no17

17. Star Wars: The Last Jedi (Rian Johnson)

no18

18. The Human Surge (Eduardo Williams)

no19

19. Downsizing (Alexander Payne)

My Top 10 Discoveries During 2017 (for first-time viewings of films made before 2000)

  1. A Touch of Zen (1971, King Hu)
  2. The Terrorizers (1986, Edward Yang)
  3. Rear Window (1954, Alfred Hitchcock)
  4. Rio Bravo (1959, Howard Hawks)
  5. A New Leaf (1971, Elaine May)
  6. Ashes of Time (1994, Wong Kar-wai)
  7. Surviving Desire (1991, Hal Hartley)
  8. Do the Right Thing (1989, Spike Lee)
  9. The Unbelievable Truth (1989, Hal Hartley)
  10. The Texas Chainsaw Massacre (1974, Tobe Hooper)

Top 23 of 2016

2016 definitely wasn’t my first year of cinephilia, but it feels in many ways like the first concrete step towards it becoming my all-consuming passion. From joining and becoming immersed in Twitter to watching more and more to writing on here, Seattle Screen Scene, and Brooklyn Magazine, it’s been rather extraordinary.

The following list is formed from the reds, oranges, greens, and blues that I have seen at time of writing that were commercially released in New York City in 2016. It is woefully inadequate and incomplete, but nothing ever is in cinephilia.

1. Manchester By The Sea (Kenneth Lonergan)

2. Mountains May Depart (Jia Zhangke)

3. Cameraperson (Kirsten Johnson)

4. My Golden Days (Arnaud Desplechin)

5. The Handmaiden (Park Chan-wook)

6. Right Now, Wrong Then (Hong Sang-soo)

7. Kate Plays Christine (Robert Greene)

8. Henry Gamble’s Birthday Party (Stephen Cone)

9. O.J.: Made in America (Ezra Edelman)

10. Elle (Paul Verhoeven)

11. Certain Women (Kelly Reichardt)

12. Things to Come (Mia Hansen-Løve)

13. SPL II: A Time for Consequences (Soi Cheang)

14. Cemetery of Splendour (Apichatpong Weerasethakul)

15. The Edge of Seventeen (Kelly Fremon Craig)

16. Creepy (Kiyoshi Kurosawa)

17. Aquarius (Kleber Mendonça Filho)

18. Sunset Song (Terence Davies)

19. The Shallows (Jaume Collet-Serra)

20. Sully (Clint Eastwood)

21. Shin Godzilla (Hideaki Anno)

22. Everybody Wants Some!! (Richard Linklater)

23. Love & Friendship (Whit Stillman)

My Top 10 Discoveries During 2016 (for first-time viewings of films made before 2000)

  1. A Brighter Summer Day (1991, Edward Yang)
  2. Chungking Express (1994, Wong Kar-wai)
  3. Trust (1990, Hal Hartley)
  4. Wavelength (1967, Michael Snow)
  5. Manhunter (1986, Michael Mann)
  6. The Devils (1971, Ken Russell)
  7. Carlito’s Way (1993, Brian De Palma)
  8. Out 1 (1971, Jacques Rivette)
  9. Ran (1985, Akira Kurosawa)
  10. Days of Being Wild (1990, Wong Kar-wai)

In conclusion: