2020 Reading Log

1. Zama (1956, Antonio Di Benedetto): 11/19/19-2/8/20 (on-off):
Comparing this with the film is practically unavoidable, seeing as how close to my mind Martel’s work has been during the past few end-of-decade obsessed months, whether while reading this book or not. But what Di Benedetto seems to emphasis above all else is, if not strictly atmosphere in the way that the film would have it, than the impossibility of fully comprehending or understanding it. The odd slips in quotidian time, the overwhelming horniness that possesses Zama, the way in which characters fade in and out of focus, all of this feels explicitly designed to displace the reader, to inhabit the total uncertainty that the main character lives in. All of this is tremendously successful, and the three-part structure serves to highlight the writer’s dexterity: when looked at in pure narrative terms, the three couldn’t be more removed, and yet when placed side-by-side and examined minutely, they proceed with the same purpose.