Table of Contents: Description, Corrections/Clarifications, Housekeeping, General, Main Slate, Ephemera, Recurring Directors, Recurring Countries, One-Time Directors, Debuts, Festivals/Oscar Nominees, Events/Shorts, Discussions By Length, Specifications

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Subscribe to the podcast here.

Description
The fifth episode of the Catalyst and Witness podcast, devoted to exploring the films and format of the New York Film Festival, hosted by Ryan Swen and Dan Molloy. This covers the fifth edition of the festival in 1967.

0:00-12:42 – Opening
12:43-1:00:37 – Part One [The Battle of Algiers to Napoléon]
1:00:38-1:34:58 – Part Two [Funnyman to The Taking of Power by Louis XIV]
1:34:59-2:03:23 – Part Three [Barrier to The Other One]
2:03:24-2:38:47 – Part Four [Portrait of Jason to Far From Vietnam]
2:38:48-2:45:04 – Closing

Corrections/Clarifications

• Elvira Madigan was Danish, while Sixten Sparre was Swedish.

Housekeeping

• Hosted by Dan Molloy & Ryan Swen
• Conceived and Edited by Ryan Swen
• Recorded in Seattle and Portland on MacBook GarageBand, Edited in Audacity
• Podcast photograph from Yi Yi, Logo designed by Dan Molloy
• Poster by Roy Lichtenstein
• Recorded June 21, 2018
• Released June 29, 2018
• Music (in order of appearance):
  • The Battle of Algiers (opening night)
  • Le Départ (favorite soundtrack)
  • Napoléon (favorite of the first section)
  • The Taking of Power by Louis XIV (favorite of the second section)
  • Made in U.S.A (favorite of the third section)
  • Applause (favorite of the fourth section)
  • Far From Vietnam (closing night)

General

• Selection Committee: Richard Roud (program director), Amos Vogel (festival director), Arthur Knight, Andrew Sarris, Susan Sontag
• Location: Philharmonic Hall
• Prices: 2 for terrace, 2.50 or 3 for orchestra, 3.50 or 4 for loge, with 1 added to all seats for opening night
• Films seen for the podcast:
  • Ryan
    • Seen before podcast watching period: The Battle of Algiers
    • Seen for the podcast: All available; all rewatched
    • Favorite films: Napoléon, The Battle of Algiers, The Taking of Power by Louis XIV, Applause, Portrait of Jason
    • Least favorite films: Memorandum, Tonite Let’s All Make Love in London
    • Catch-Up Corner: Raven’s End (3rd)
  • Dan
    • Seen before podcast watching period: The Battle of Algiers, Samurai Rebellion
    • Seen for the podcast: All available except Memorandum; none rewatched
    • Favorite films: Napoléon, Portrait of Jason, The Battle of Algiers, The Taking of Power by Louis XIV
    • Least favorite films: Young Törless, Le Départ, Barrier, Let’s All Make Love in London
    • Catch-Up Corner: The Wedding March (3rd)
• Discoveries of the festival: Far From Vietnam, Applause, Yesterday Girl
• Unavailable films: Hot Years, Funnyman, Puss & Kram, Benefit of the Doubt, The Other One, A Mother’s Heart

Main Slate

Opening Night: The Battle of Algiers [La battaglia di Algeri] (1966, Gillo Pontecorvo)
September 20, 9:00
Released 1967
Hot Years [Tople godine] (1966, Dragoslav Lazić)
September 21, 6:30
Never released
Yesterday Girl [Abschied von gestern/Farewell to Yesterday] (1966, Alexander Kluge)
September 21, 9:30
Never released
Love Affair, or the Case of the Missing Switchboard Operator [Ljubavni slučaj ili tragedija službenice P.T.T./Love Affair, or the Tragedy of a P.T.T.] (1967, Dušan Makavejev)
September 22, 6:30
Released 1968
Le Départ [The Departure] (1967, Jerzy Skolimowski)
September 22, 9:30
Released 1968
Retrospective: Napoléon [Napoléon vu par Abel Gance] (1927, Abel Gance)
September 23, 1:30
Released 1929
Funnyman (1967, John Korty)
September 23, 6:30
Released 1971
Hugs and Kisses [Puss och Kram] (1967, Jonas Cornell)
September 23, 9:30
Released 1968
Young Törless [Der junge Törless] (1966, Volker Schlöndorff)
September 24, 6:30
Released 1968
Samurai Rebellion [Jōi-uchi: Hairyō tsuma shimatsu/Rebellion: Receive the Wife] (1967, Kobayashi Masaki)
September 24, 9:30
Released 1968
The Lion Hunters [La chasse au lion à l’arc/The Lion Hunting at the Bow] (1965, Jean Rouch)
Also: Memorandum (1965, Donald Brittain & John Spotton)
September 25, 6:30
Never released/Never released
The Taking of Power by Louis XIV [La Prise de pouvoir par Louis XIV] (1966, Roberto Rossellini)
September 25, 9:30
Released 1970
Barrier [Bariera] (1966, Jerzy Skolimowski)
September 26, 6:30
Never released
“The London Scene”
Tonite Let’s All Make Love in London (1967, Peter Whitehead)
Benefit of the Doubt (1967, Peter Whitehead)
September 26, 9:30
Never released/Never released
Retrospective: Les Carabiniers [The Riflemen] (1963, Jean-Luc Godard)
September 27, 6:30
Released 1968
Made in U.S.A (1966, Jean-Luc Godard)
September 27, 9:30
Released 1981
Father [Apa] (1966, Szabó István)
September 28, 6:30
Released 1967
The Other One [L’une et l’autre/The One and the Other] (1967, René Allio)
September 28, 9:30
Released 1967
Portrait of Jason (1967, Shirley Clarke)
September 29, 6:30
Released 1967
Elvira Madigan (1967, Bo Widerberg)
September 29, 9:30
Released 1967
Retrospective: Applause (1929, Rouben Mamoulian)
Also: Show People (1928, King Vidor)
September 30, 3:00
Released 1929/Released 1928
A Mother’s Heart [Serdtse materi] (1966, Mark Donskoy)
September 30, 6:30
Released 1967
“Closing Night”: Far From Vietnam [Loin du Vietnam] (1967, Jean-Luc Godard & Joris Ivens & William Klein & Claude Lelouch & Chris Marker & Alain Resnais & Agnès Varda)
September 30, 9:30
Released 1968

Ephemera

• “A Tribute to Abel Gance”: 8 films presented in conjunction with the Cinémathèque Française, shown at the Library and Museum of Performing Arts in Lincoln Center, all free
• “The Social Cinema in America”: 21 events investigating current trends in American documentary cinema, held at the Library and Museum of Performing Arts in Lincoln Center, all free

Recurring Directors
Key: films in this iteration excluding shorts/omnibus/retrospectives, films in this iteration including, films in the festival up to this point excluding, films up to this point including, number of gala spots (when applicable), number of festivals with more than one film shown (when applicable); † indicates their last appearance, fraction in parentheses indicates number of features shown from oeuvre, features released in the eligible timeframe, features in oeuvre

• Jean-Luc Godard: 2/3/7/11/2/4
• Jerzy Skolimowski: 2/2/4/4/0/2
• Peter Whitehead: 2/2/2/3/0/1†(2/8/8)
• Alain Resnais: 1/1/3/3/2
• Chris Marker: 1/1/3/3/1
• René Allio: 1/1/2/2
• Kobayashi Masaki: 1/1/2/2†(2/10/22)
• Agnès Varda: 1/1/2/2/1
• Bo Widerberg: 1/1/2/2
• Joris Ivens: 1/1/1/2/1
• Roberto Rossellini: 1/1/1/2
• Jean Rouch: 1/1/1/2†(1/32/38)
• Alexander Kluge: 1/1/1/1
• Dušan Makavejev: 1/1/1/1
• Volker Schlöndorff: 1/1/1/1
• Szabó István: 1/1/1/1
• Abel Gance: 0/1/1/2
• Rouben Mamoulian: 0/1/0/1

Recurring Countries
Key: films in this iteration excluding shorts/retrospectives, films in this iteration including, films in the festival up to this point excluding, films up to this point including, number of gala spots (when applicable)

• France: 5/7/27/34/4
• USA: 2/4/12/21
• UK: 2/2/5/7
• Sweden: 2/2/4/4
• West Germany: 2/2/3/3
• Yugoslavia: 2/2/3/3
• Italy: 1/1/12/16/1
• Japan: 1/1/9/10/1
• Poland: 1/1/6/6
• Canada: 1/1/3/4
• USSR: 1/1/3/3/1
• Hungary: 1/1/3/3
• Belgium: 1/1/2/2

One-Time Directors

• Donald Brittain & John Spotton
• Shirley Clarke
• Jonas Cornell
• Mark Donskoy
• William Klein (gala)
• John Korty
• Dragoslav Lazić
• Claude Lelouch (gala)
• Gillo Pontecorvo (gala)
• King Vidor (retrospective)

Feature Debuts

• Jonas Cornell
• Alexander Kluge
• Dragoslav Lazić
• Rouben Mamoulian (retrospective)
• Volker Schlöndorff

Festivals

• Cannes
  • Young Törless (1966, FIPRESCI)
  • Elvira Madigan (Best Actress)
  • Love Affair, or the Case of the Missing Switchboard Operator (Critics’ Week)
• Berlin
  • Le Départ (Golden Bear)
• Venice
  • The Battle of Algiers (1966, Golden Lion, FIPRESCI)
  • Yesterday Girl (1966, Special Jury Prize)
  • Samurai Rebellion (FIPRESCI)
  • The Lion Hunters (?)
  • The Other One (?)
  • The Taking of Power by Louis XIV (?)
• Other
  • A Mother’s Heart (San Sebastian)
  • Barrier (Bergamo, Grand Prize)
  • Far From Vietnam (Montreal)
  • Father (Locarno, Moscow, Grand Prize)
  • Hot Years (Mannheim; Pesaro)
  • Hugs and Kisses (Pesaro)
  • Made in U.S.A (London)
  • Memorandum (San Francisco)
• N/A
  • Applause
  • Benefit of the Doubt
  • Les Carabiniers
  • Funnyman
  • Napoléon
  • Portrait of Jason
  • Show People
  • Tonite Let’s All Make Love in London

Oscar Nominees

• The Battle of Algiers: 1966 Best Foreign Film, 1968 Best Director, 1968 Best Screenplay

Events/Shorts

Discussions By Length (Approximate)

• 21:34 Napoléon (39:03-1:00:37)
• 10:05 Far From Vietnam (2:28:42-2:38:47)
• 9:14 The Taking of Power by Louis XIV (1:25:44-1:34:58)
• 8:09 Portrait of Jason (2:04:21-2:12:30)
• 7:54 The Battle of Algiers (13:41-21:35)
• 6:50 “The London Scene” (1:40:02-1:46:52)
• 6:30 The Lion Hunters (1:14:24-1:20:54)
• 6:28 Made in U.S.A (1:52:03-1:58:31)
• 5:51 Yesterday Girl (22:35-28:26)
• 5:35 Le Départ (33:27-39:02)
• 5:33 Applause (2:17:18-2:22:51)
• 5:09 Les Carabiniers (1:46:53-1:52:02)
• 4:59 Love Affair, or the Case of the Missing Switchboard Operator (28:27-33:26)
• 4:55 Young Törless (1:04:41-1:09:36)
• 4:48 Memorandum [One Person] (1:20:55-1:25:43)
• 4:46 Samurai Rebellion (1:09:37-1:14:23)
• 4:46 Elvira Madigan (2:12:31-2:17:17)
• 4:18 Show People (2:22:52-2:27:10)
• 4:06 Barrier (1:35:55-1:40:01)
• 3:32 Father (1:58:32-2:02:04)
• 1:47 Funnyman [Unavailable] (1:01:42-1:03:29)
• 1:30 A Mother’s Heart [Unavailable] (2:27:11-2:28:41)
• 1:18 The Other One [Unavailable] (2:02:05-2:03:23)
• 1:00 Hugs and Kisses [Unavailable] (1:03:30-1:04:40)
• 0:58 Hot Years [Unavailable] (21:36-22:34)

Specifications

• Gillo Pontecorvo, La battaglia di Algeri, 1966, 35 mm, black-and-white, mono sound, 121 minutes, 1.85:1, Arabic and French, Italy.
• Драгослав Лазић, Топле године, 1966, 35 mm, black-and-white, mono sound, 85 minutes, 1.66:1, Serbo-Croatian, Yugoslavia. (?)
• Alexander Kluge, Abschied von gestern, 1966, 35 mm, black-and-white, mono sound, 88 minutes, 1.37:1, German, West Germany.
• Душан Макавејев, Љубавни случај или трагедија службенице ПТТ, 1967, 35 mm, black-and-white, mono sound, 79 minutes, 1.66:1, Serbo-Croatian, Yugoslavia.
• Jerzy Skolimowski, Le Départ, 1967, 35 mm, black-and-white, mono sound, 93 minutes, 1.66:1, French, Belgium.
• Abel Gance, Napoléon, 1927, 35 mm, black-and-white, silent, 333 minutes, 1.33:1 and 4.00:1, French, France.
• John Korty, Funnyman, 1967, 35 mm, black-and-white and color, mono sound, 102 minutes, 1.85:1, English, USA.
• Jonas Cornell, Puss och Kram, 1967, 35 mm, black-and-white, mono sound, 94 minutes, 1.66:1, Swedish, Sweden.
• Volker Schlöndorff, Der junge Törless, 1966, 35 mm, black-and-white, mono sound, 87 minutes, 1.37:1, German, West Germany.
• 小林正樹, 上意討ち 拝領妻始末, 1967, 35 mm, black-and-white, mono sound, 128 minutes, 2.35:1, Japanese, Japan.
• Jean Rouch, La chasse au lion à l’arc, 1965, 16 mm, color, mono sound, 81 minutes, 1.37:1, French, France.
• Donald Brittain & John Spotton, Memorandum, 1965, 16 mm, black-and-white, mono sound, 58 minutes, 1.37:1, English, Canada.
• Roberto Rossellini, La Prise de pouvoir par Louis XIV, 1966, 16 mm, color, mono sound, 100 minutes, 1.37:1, French, France.
• Jerzy Skolimowski, Bariera, 1966, 35 mm, black-and-white, mono sound, 77 minutes, 1.66:1, Polish, Poland.
• Peter Whitehead, Tonite Let’s All Make Love in London, 1967, 16 mm, color and black-and-white, mono sound, 57 minutes, 1.37:1, English, UK.
• Peter Whitehead, Benefit of the Doubt, 1967, 16 mm, black-and-white and color, mono sound, 70 minutes, 1.37:1, English, UK.
• Jean-Luc Godard, Les Carabiniers, 1963, 35 mm, black-and-white, mono sound, 80 minutes, 1.37:1, French, France.
• Jean-Luc Godard, Made in U.S.A, 1966, 35 mm, color, mono sound, 90 minutes, 2.35:1, French, France.
• Szabó István, Apa, 1966, 35 mm, black-and-white, mono sound, 88 minutes, 1.37:1, Hungarian, Hungary.
• René Allio, L’une et l’autre, 1967, 35 mm, color, mono sound, 90 minutes, 1.66:1, French, France. (?)
• Shirley Clarke, Portrait of Jason, 1967, 35 mm, black-and-white, mono sound, 105 minutes, 1.37:1, English, USA.
• Bo Widerberg, Elvira Madigan, 1967, 35 mm, color, mono sound, 91 minutes, 1.66:1, Danish and Swedish, Sweden.
• Rouben Mamoulian, Applause, 1929, 35 mm, black-and-white, mono sound, 80 minutes, 1.20:1, English, USA.
• King Vidor, Show People, 1928, 35 mm, black-and-white, silent/mono sound, 83 minutes, 1.20:1, English, USA.
• Марк Донско́й, Сердце матери, 1966, 35 mm, black-and-white, mono sound, 100 minutes, 2.35:1, Russian, USSR.
• Jean-Luc Godard & Joris Ivens & William Klein & Claude Lelouch & Chris Marker & Alain Resnais & Agnès Varda, Loin du Vietnam, 1967, 16 mm, color and black-and-white, mono sound, 115 minutes, 1.37:1, French, France.

Table of Contents: Description, Corrections/Clarifications, Housekeeping, General, Main Slate, Ephemera, Recurring Directors, Recurring Countries, One-Time Directors, Debuts, Festivals/Oscar Nominees, Events/Shorts, Discussions By Length, Specifications

Listen to the podcast here.
Subscribe to the podcast here.

Description
The fourth episode of the Catalyst and Witness podcast, devoted to exploring the films and format of the New York Film Festival, hosted by Ryan Swen and Dan Molloy. This covers the fourth edition of the festival in 1966, and features special guest Evan Morgan, critic and co-host of the Snakes & Funerals podcast.

0:00-12:09 – Opening
12:10-51:17 – Part One [Loves of a Blonde to Au hasard Balthazar]
51:18-1:33:20 – Part Two [Les Créatures to The Cheat]
1:33:21-2:16:45 – Part Three [The Shameless Old Lady to Shadows of Forgotten Ancestors]
2:16:46-3:08:35 – Part Four [Pearls of the Deep to The War Is Over]
3:08:36-3:15:54 – Closing

Corrections/Clarifications

• N/A

Housekeeping

• Hosted by Dan Molloy & Ryan Swen
• Special Guest Evan Morgan (Snakes & Funerals)
• Conceived and Edited by Ryan Swen
• Recorded in Seattle and Portland on MacBook GarageBand, Edited in Audacity
• Podcast photograph from Yi Yi, Logo designed by Dan Molloy
• Poster by Roy Lichtenstein
• Recorded May 6, 2018
• Released May 20, 2018
• Music (in order of appearance):
  • Loves of a Blonde (opening night)
  • Simon of the Desert (another favorite)
  • Au hasard Balthazar (favorite of the first section)
  • The Burmese Harp (favorite of the second section)
  • Shadows of Forgotten Ancestors (favorite of the third section)
  • Pierrot le Fou (favorite of the fourth section)
  • The War Is Over (closing night)

General

• Selection Committee: Richard Roud (program director), Amos Vogel (festival director), Arthur Knight, Andrew Sarris
• Location: Philharmonic Hall
• Prices: 2 for terrace, 2.50 or 3 for orchestra, 3.50 or 4 for loge, with 1 added to all seats for opening night; subtract 0.50 for Do You Keep a Lion at Home? (children’s matinee screening)
• Films seen for the podcast:
  • Ryan
    • Seen before podcast watching period: The War Game, Au hasard Balthazar, Meet Marlon Brando, The Cheat, Masculin féminin, Pierrot le Fou
    • Seen for the podcast: All available except La Chienne*; all rewatched except The War Game
    • Favorite films: Pierrot le Fou, The War Game, Simon of the Desert, Au hasard Balthazar, Shadows of Forgotten Ancestors, The War Is Over
    • Least favorite films: Almost a Man, Pearls of the Deep
  • Dan
    • Seen before podcast watching period: Loves of a Blonde, Au hasard Balthazar, Masculin féminin, La Chienne*
    • Seen for the podcast: All available except The Shameless Old Lady; none rewatched
    • Favorite films: Pierrot le Fou, Shadows of Forgotten Ancestors, Au hasard Balthazar, Masculin féminin, The War Is Over
    • Least favorite films: Almost a Man, La commare secca, The Hunt, Pearls of the Deep
    • Catch-Up Corner: Les Vampires (3rd)
  • Evan
    • Seen before podcast watching period: Au hasard Balthazar, The Burmese Harp, Masculin féminin, Simon of the Desert, La Chienne*, Pierrot le Fou
    • Seen for the podcast: All available except Hunger, Accattone, La commare secca, Pearls of the Deep; none rewatched
    • Favorite films: Shadows of Forgotten Ancestors, Masculin féminin, The War Is Over
    • Least favorite films: Almost a Man, Intimate Lighting
• Discoveries of the festival: Shadows of Forgotten Ancestors, The War Is Over, The Shameless Old Lady, Troublemakers, The Round-Up, Hunger
• Unavailable films: The Eavesdropper, Do You Keep a Lion at Home?, Notes for a Film on Jazz, A Woman of Affairs

Main Slate

Opening Night: Loves of a Blonde [Lásky jedné plavovlásky] (1965, Miloš Forman)
September 12, 9:00
Released 1966
The War Game (1966, Peter Watkins)
Also: Wholly Communion (1965, Peter Whitehead)
September 13, 6:30
Released 1967/Released 1967
Hunger [Sult] (1966, Henning Carlsen)
September 13, 9:30
Released 1968
Retrospective: La commare secca [The Skinny Gossip] (1962, Bernardo Bertolucci)
September 14, 6:30
Released 1982
The Eavesdropper [El ojo de la cerradura/The Keyhole] (1966, Leopoldo Torre Nilsson)
September 14, 9:30
Never released
Au hasard Balthazar [Balthazar, by Chance] (1966, Robert Bresson)
September 15, 6:30
Released 1970
Les Créatures [The Creatures] (1966, Agnès Varda)
September 15, 9:30
Released 1969
The Hawks and the Sparrows [Uccellacci e uccellini/Birds of Prey and Little Birds] (1966, Pier Paolo Pasolini)
September 16, 6:30
Released 1967
Retrospective: Accattone (1961, Pier Paolo Pasolini)
September 16, 9:30
Released 1968
Children’s Show: Do You Keep a Lion at Home? [Máte doma lva?] (1963, Pavel Hobl)
September 17, 11:00
Released 1966
“The Scene”
Meet Marlon Brando (1966, David & Albert Maysles)
Notes for a Film on Jazz [Appunti per un film sul jazz] (1965, Gianni Amico)
Troublemakers (1966, Norman Fruchter & Robert Machover)
September 17, 1:30
Never released/Never released/Never released
Retrospective: The Burmese Harp [Biruma no tategoto] (1956, Ichikawa Kon)
September 17, 4:00
Released 1967
Retrospective: A Woman of Affairs (1928, Clarence Brown)
Also: The Cheat (1915, Cecil B. DeMille)
September 17, 6:30
Released 1928/Released 1915
The Shameless Old Lady [La Vieille dame indigne/The Unworthy Old Lady] (1965, René Allio)
September 17, 9:30
Released 1966
Intimate Lighting [Intimní osvětlení] (1965, Ivan Passer)
Also: Three [Tri] (1965, Aleksandar Petrović)
September 18, 2:00
Released 1969/Released 1967
The Round-Up [Szegénylegények/Outlaws] (1966, Jancsó Miklós)
September 18, 6:30
Released 1969
Masculin féminin [Masculin féminin: 15 faits précis/Masculine Feminine: 15 Specific Events] (1966, Jean-Luc Godard)
September 18, 9:30
Released 1966
The Hunt [La caza] (1966, Carlos Saura)
September 19, 6:30
Released 1967
Shadows of Forgotten Ancestors [Tini zabutykh predkiv] (1965, Sergei Parajanov)
September 19, 9:30
Never released
Pearls of the Deep [Perličky na dně] (1966, Omnibus: Jiří Menzel, Jan Němec, Evald Schorm, Věra Chytilová, Jaromil Jireš)
September 20, 6:30
Never released
Simon of the Desert [Simón del desierto] (1965, Luis Buñuel)
Also: The Man Who Had His Hair Cut Short [De man die zijn haar kort liet knippen] (1966, André Delvaux)
September 20, 9:30
Released 1969/Released 1974
Canceled: Retrospective: La Chienne [The Bitch] (1931, Jean Renoir)
September 21, 6:30
Released 1976
Pierrot le Fou [Pierrot the Madman] (1965, Jean-Luc Godard)
September 21, 9:30
Released 1969
Almost a Man [Un uomo a metà/Half a Man] (1966, Vittorio De Seta)
September 22, 6:30
Never released
“Closing Night”: The War Is Over [La Guerre est Finie] (1966, Alain Resnais)
September 22, 8:40
Released 1967

Ephemera

• “The Independent Cinema”: 27 lectures, interviews, discussions with filmmakers and critics, screenings, covering various aspects of independent filmmaking in US coordinated by John Brockman at the Library and Museum of Performing Arts in Lincoln Center, all free

Recurring Directors
Key: films in this iteration excluding shorts/omnibus/retrospectives, films in this iteration including, films in the festival up to this point excluding, films up to this point including, number of gala spots (when applicable), number of festivals with more than one film shown (when applicable); † indicates their last appearance, fraction in parentheses indicates number of features shown from oeuvre, features released in the eligible timeframe, features in oeuvre

• Jean-Luc Godard: 2/2/5/8/1/3
• Pier Paolo Pasolini: 1/2/1/3/0/1
• Luis Buñuel: 1/1/4/4/1/1
• Miloš Forman: 1/1/2/2/1
• Alain Resnais: 1/1/2/2/1
• Robert Bresson: 1/1/2/2
• Leopoldo Torre Nilsson: 1/1/2/2†(2/13/28)
• René Allio: 1/1/1/1
• Jancsó Miklós: 1/1/1/1
• Sergei Paradjanov: 1/1/1/1
• Ivan Passer: 1/1/1/1
• Aleksandar Petrović: 1/1/1/1
• Carlos Saura: 1/1/1/1
• Agnès Varda: 1/1/1/1
• Peter Watkins: 1/1/1/1
• Ichikawa Kon: 0/1/2/3/0/1
• Bernardo Bertolucci: 0/1/1/2
• Gianni Amico: 0/1/0/1
• Věra Chytilová: 0/1/0/1
• Cecil B. DeMille: 0/1/0/1
• Jaromil Jireš: 0/1/0/1
• Albert Maysles: 0/1/0/1
• David Maysles: 0/1/0/1
• Jiří Menzel: 0/1/0/1
• Jan Němec: 0/1/0/1
• Jean Renoir: 0/1/0/1
• Peter Whitehead: 0/1/0/1

Recurring Countries
Key: films in this iteration excluding shorts/retrospectives, films in this iteration including, films in the festival up to this point excluding, films up to this point including, number of gala spots (when applicable)

• France: 6/7/22/27/3
• Czechoslovakia: 4/4/6/7/1
• Italy: 2/5/11/15
• USA: 1/4/10/17
• UK: 1/2/3/5
• Argentina: 1/1/3/3
• Mexico: 1/1/2/2/1
• USSR: 1/1/2/2/1
• Denmark: 1/1/2/2
• Hungary: 1/1/2/2
• Belgium: 1/1/1/1
• Spain: 1/1/1/1
• Yugoslavia: 1/1/1/1
• Japan: 0/1/8/9/1

One-Time Directors

• Clarence Brown (retrospective)
• Henning Carlsen
• Vittorio De Seta
• André Delvaux
• Norman Fruchter & Robert Machover
• Pavel Hobl
• Evald Schorm (omnibus)

Feature Debuts

• René Allio
• Bernardo Bertolucci (retrospective)
• André Delvaux (?)
• Norman Fruchter & Robert Machover
• Pavel Hobl
• Ivan Passer
• Pier Paolo Pasolini (retrospective)

Festivals

• Cannes
  • Hunger (Best Actor)
  • The Hawks and the Sparrows (Special Mention for Totò)
  • The Round-Up
• Berlin
  • The Hunt (Best Director)
  • Masculin féminin (Best Actor, Youth Film Award, Interfilm Honorable Mention)
• Venice
  • The Burmese Harp (1956, Special Mention)
  • Simon of the Desert (1965, Special Jury Prize)
  • Loves of a Blonde (1965)
  • Pierrot le Fou (1965)
  • Au hasard Balthazar (OCIC)
  • Almost a Man (Volpi Cup for Best Actor)
  • The War Game (Special Prize, San Giorgio, OCIC Honorable Mention)
  • The Shameless Old Lady (Best First Film Prize) (?)
  • Les Créatures
• Other
  • The Eavesdropper (Mar del Plata)
  • Intimate Lighting (San Sebastian)
  • Three (Karlovy Vary)
  • Pearls of the Deep (Locarno)
  • Shadows of Forgotten Ancestors (Mar del Plata, Grand Prix)
  • The Man Who Had His Hair Cut Short (Pesaro)
  • The War Is Over (Locarno)
• N/A
  • Wholly Communion
  • La commare secca
  • Accattone
  • Do You Keep a Lion at Home?
  • Meet Marlon Brando
  • Notes for a Film on Jazz
  • Troublemakers
  • A Woman of Affairs
  • The Cheat
  • La Chienne

Oscar Nominees

• The Burmese Harp: 1956 Best Foreign Film
• The War Game: Best Documentary (won)
• Loves of a Blonde: Best Foreign Film
• Three: Best Foreign Film
• The War Is Over: 1967 Best Original Screenplay

Events/Shorts

Discussions By Length (Approximate)

• 11:59 The War Is Over (2:56:36-3:08:35)
• 10:35 Pearls of the Deep [Omnibus] (2:17:42-2:28:17)
• 9:55 “The Scene” (1:12:23-1:22:18)
• 8:51 Pierrot le Fou (2:41:45-2:50:36)
• 8:32 Les Créatures (52:07-1:00:39)
• 8:09 The War Game (20:23-28:32)
• 7:17 Loves of a Blonde (13:05-20:22)
• 7:10 Shadows of Forgotten Ancestors (2:09:35-2:16:45)
• 7:05 Masculin féminin (1:57:52-2:04:57)
• 6:51 Au hasard Balthazar (44:26-51:17)
• 6:50 The Round-Up (1:51:01-1:57:51)
• 6:32 The Man Who Had His Hair Cut Short (2:34:36-2:41:08)
• 6:17 Simon of the Desert (2:28:18-2:34:35)
• 6:15 The Shameless Old Lady [Two People] (1:34:17-1:40:32)
• 5:58 Almost a Man (2:50:37-2:56:35)
• 5:54 Hunger [Two People] (33:23-39:17)
• 5:39 The Hawks and the Sparrows (1:00:40-1:06:19)
• 5:32 The Cheat (1:27:48-1:33:20)
• 5:31 Three (1:45:29-1:51:00)
• 4:55 Intimate Lighting (1:40:33-1:45:28)
• 4:52 Accattone [Two People] (1:06:20-1:11:12)
• 4:50 The Burmese Harp(1:22:19-1:27:09)
• 4:49 Wholly Communion (28:33-33:22)
• 4:36 The Hunt (2:04:58-2:09:34)
• 3:46 La commare secca [Two People] (39:18-43:04)
• 1:20 The Eavesdropper [Unavailable] (43:05-44:25)
• 1:09 Do You Keep a Lion at Home? [Unavailable] (1:11:13-1:12:22)
• 0:37 A Woman of Affairs [Unavailable] (1:27:10-1:27:47)
• 0:35 La Chienne [Canceled] (2:41:09-2:41:44)

Specifications

• Miloš Forman, Lásky jedné plavovlásky, 1965, 35 mm, black-and-white, mono sound, 88 minutes, 1.37:1, Czech, Czechoslovakia.
• Peter Watkins, The War Game, 1966, 16 mm, black-and-white, mono sound, 48 minutes, 1.37:1, English, UK.
• Peter Whitehead, Wholly Communion, 1965, 16 mm, black-and-white, mono sound, 33 minutes, 1.37:1, English, UK.
• Henning Carlsen, Sult, 1966, 35 mm, black-and-white, mono sound, 112 minutes, 1.66:1, Swedish, Denmark.
• Bernardo Bertolucci, La commare secca, 1962, 35 mm, black-and-white, mono sound, 93 minutes, 1.66:1, Italian, Italy.
• Leopoldo Torre Nilsson, El ojo de la cerradura, 1966, 35 mm, black-and-white, mono sound, 102 minutes, 1.37:1, Spanish, Argentina. (?)
• Robert Bresson, Au hasard Balthazar, 1966, 35 mm, black-and-white, mono sound, 95 minutes, 1.66:1, French, France.
• Agnès Varda, Les Créatures, 1966, 35 mm, black-and-white, mono sound, 92 minutes, 2.35:1, French, France.
• Pier Paolo Pasolini, Uccellacci e uccellini, 1966, 35 mm, black-and-white, mono sound, 89 minutes, 1.85:1, Italian, Italy.
• Pier Paolo Pasolini, Accattone, 1961, 35 mm, black-and-white, mono sound, 117 minutes, 1.37:1, Italian, Italy.
• Pavel Hobl, Máte doma lva?, 1964, 35 mm, color and black-and-white, mono sound, 81 minutes, 1.37:1, Czech, Czechoslovakia. (?)
• David & Albert Maysles, Meet Marlon Brando, 1966, 16 mm, black-and-white, mono sound, 28 minutes, 1.37:1, English and French and German, USA.
• Gianni Amico, Appunti per un film sul jazz, 1965, 16 mm, black-and-white, mono sound, 35 minutes, 1.37:1, English, Italy.
• Norman Fruchter & Robert Machover, Troublemakers, 1966, 16 mm, black-and-white, mono sound, 54 minutes, 1.37:1, English, USA.
• 市川崑, ビルマの竪琴, 1956, 35 mm, black-and-white, mono sound, 116 minutes, 1.37:1, Japanese, Japan.
• Clarence Brown, A Woman of Affairs, 1928, 35 mm, black-and-white, silent/mono sound, 92 minutes, 1.33:1, English, USA.
• Cecil B. DeMille, The Cheat, 1915, 35 mm, black-and-white, silent, 59 minutes, 1.33:1, English, USA.
• René Allio, La Vieille dame indigne, 1965, 35 mm, black-and-white, mono sound, 94 minutes, 1.66:1, French, France.
• Ivan Passer, Intimní osvětlení, 1965, 35 mm, black-and-white, mono sound, 71 minutes, 1.37:1, Czech, Czechoslovakia.
• Александар Петровић, Три, 1965, 35 mm, black-and-white, mono sound, 80 minutes, 1.37:1, Serbo-Croatian, Yugoslavia.
• Jancsó Miklós, Szegénylegények, 1966, 35 mm, black-and-white, mono sound, 95 minutes, 2.35:1, Hungarian, Hungary.
• Jean-Luc Godard, Masculin féminin: 15 faits précis, 1966, 35 mm, black-and-white, mono sound, 103 minutes, 1.37:1, French, France.
• Carlos Saura, La caza, 1966, 35 mm, black-and-white, mono sound, 91 minutes, 1.66:1, Spanish, Spain.
• Sergei Parajanov, Tini zabutykh predkiv, 1965, 35 mm, color, mono sound, 97 minutes, 1.37:1, Ukranian, USSR.
• Jiří Menzel/Jan Němec/Evald Schorm/Věra Chytilová/Jaromil Jireš, Perličky na dně, 1966, 35 mm, black-and-white and color, mono sound, 105 minutes, 1.37:1, Czech, Czechoslovakia.
• Luis Buñuel, Simón del desierto, 1965, 35 mm, black-and-white, mono sound, 45 minutes, 1.37:1, Spanish, Mexico.
• André Delvaux, De man die zijn haar kort liet knippen, 1966, 35 mm, black-and-white, mono sound, 94 minutes, 1.66:1, Dutch, Belgium.
• Jean Renoir, La Chienne, 1931, 35 mm, black-and-white, mono sound, 91 minutes, 1.20:1, French, France.
• Jean-Luc Godard, Pierrot le Fou, 1965, 35 mm, color, mono sound, 110 minutes, 2.35:1, French, France.
• Vittorio De Seta, Un uomo a metà, 1966, 35 mm, black-and-white, mono sound, 93 minutes, 1.85:1, Italian, Italy.
• Alain Resnais, La Guerre est Finie, 1966, 35 mm, black-and-white, mono sound, 121 minutes, 1.66:1, French and Spanish, France.

Table of Contents: Description, Corrections/Clarifications, Housekeeping, General, Main Slate, Ephemera, Recurring Directors, Recurring Countries, One-Time Directors, Debuts/Final Features, Festivals/Oscar Nominees, Events/Shorts, Discussions By Length, Specifications

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Subscribe to the podcast here.

Description
The third episode of the Catalyst and Witness podcast, devoted to exploring the films and format of the New York Film Festival, hosted by Ryan Swen and Dan Molloy. This covers the third edition of the festival in 1965.
0:00-9:08 – Opening
9:09-54:11 – Part One [Alphaville to Charulata]
54:12-1:31:16 – Part Two [The Wedding March to Shakespeare Wallah]
1:31:17-2:18:36 – Part Three [Les Vampires to Le Petit Soldat]
2:18:37-3:10:38 – Part Four [Gertrud to Red Beard]
3:10:39-3:17:39 – Closing

Corrections/Clarifications

• “Les Jeux Des Anges” was directed by Walerian Borowczyk.

Housekeeping

• Hosted by Dan Molloy & Ryan Swen
• Conceived and Edited by Ryan Swen
• Recorded in Seattle and Portland on MacBook GarageBand, Edited in Audacity
• Podcast photograph from Yi Yi, Logo designed by Dan Molloy
• Poster by Bruce Conner
• Recorded April 6, 2018
• Released April 18, 2018
• Music (in order of appearance):
  • Alphaville (opening night)
  • The Koumiko Mystery (another favorite)
  • Charulata (favorite of the first section)
  • Walkover (favorite of the second section)
  • Les Vampires (favorite of the third section)
  • Gertrud (favorite of the fourth section)
  • Red Beard (closing night)

General

• Selection Committee: Richard Roud (program director), Amos Vogel (festival director)
• Location: Philharmonic Hall
• Prices: 2 for terrace, 2.50 or 3 for orchestra, 3.50 or 4 for loge; add 0.50 for Les Vampires; 12.50 and 17.50 for opening (ACLU benefit with champagne reception; rush tickets one dollar more than regular)
• Films seen for the podcast:
  • Ryan
    • Seen before podcast watching period: Alphaville
    • Seen for the podcast: All available except Raven’s End, The Shop on Main Street, Thomas the Impostor, Of Human Bondage; Alphaville rewatched
    • Favorite films: Gertrud, Les Vampires, Seven Chances, Charulata, Red Beard, The Koumiko Mystery, Alphaville
    • Least favorite films: Black Peter
    • Seen after the podcast: Raven’s End (5th)
    • Catch-Up Corner: The Big City (2nd), Pasazerka (2nd), Before the Revolution (2nd)
  • Dan
    • Seen before podcast watching period: Alphaville, Seven Chances, Gertrud, Red Beard
    • Seen for the podcast: All available except Knave of Hearts, The Lady Without Camelias, Les Vampires, The Wedding March; none rewatched
    • Favorite films: Seven Chances, Gertrud, Charulata, Alphaville, Red Beard
    • Least favorite films: Black Peter, Sandra
    • Seen after the podcast: Les Vampires (4th), The Wedding March (5th)
• Discoveries of the festival: Not Reconciled, The Koumiko Mystery, Raven’s End, Walkover, The Lady Without Camelias
• Unavailable films: Sweet Substitute, Twilight of Empire

Main Slate
Opening Night: Alphaville [Alphaville: une étrange aventure de Lemmy Caution/Alphaville: A Strange Adventure of Lemmy Caution] (1965, Jean-Luc Godard)
September 7, 9:00
Released 1965
Retrospective: Knave of Hearts [Monsieur Ripois/Mr. Ripois] (1954, René Clément)
September 8, 6:30
Released 1954
Mickey One (1965, Arthur Penn)
September 8, 9:30
Released 1965
Raven’s End [Kvarteret Korpen/Quarter Neighborhood] (1963, Bo Widerberg)
September 9, 6:30
Released 1970
The Shop on Main Street [Obchod na korze] (1965, Ján Kadár & Elmar Klos)
September 9, 9:30
Released 1966
Retrospective: The Lady Without Camelias [La signora senza camelie] (1953, Michelangelo Antonioni)
September 10, 6:30
Released 1981
Charulata [Cārulatā] (1965, Satyajit Ray)
September 10, 9:30
Released 1974
Retrospective: The Wedding March (1928, Erich von Stroheim)
September 11, 3:00
Released 1928
Black Peter [Černý Petr] (1964, Miloš Forman)
September 11, 6:30
Released 1971
Thomas the Impostor [Thomas l’imposteur] (1964, Georges Franju)
September 11, 9:30
Never released
Identification Marks: None [Rysopis/Identification] (1964, Jerzy Skolimowski)
September 12, 3:00
Released 1968
Walkover [Walkower] (1965, Jerzy Skolimowski)
September 12, 6:30
Released 1969
Shakespeare Wallah (1965, James Ivory)
September 12, 9:30
Released 1966
Retrospective: Les Vampires [The Vampires] (1915, Louis Feuillade)
September 13, 5:00
Released 1916
Retrospective: Buster and Beckett
The Railrodder (1965, Gerald Potterton)
Film (1965, Alan Schneider)
Seven Chances (1925, Buster Keaton)
September 14, 6:30
Never released/Released 1968/Released 1925
Retrospective: Tribute to Bette Davis
Of Human Bondage (1934, John Cromwell)
September 14, 9:30
Released 1934
Sweet Substitute (1964, Laurence L. Kent)
September 15, 6:30
Never released
Six in Paris [Paris vu par…/Paris Seen by…] (1965, Omnibus: Jean Douchet, Jean Rouch, Jean-Daniel Pollet, Éric Rohmer, Jean-Luc Godard, Claude Chabrol)
September 15, 9:30
Released 1969
Retrospective: Le Petit Soldat [The Little Soldier] (1963, Jean-Luc Godard)
September 16, 6:30
Released 1967
Gertrud (1964, Carl Th. Dreyer)
September 16, 9:30
Released 1966
Fists in the Pocket [I pugni in tasca] (1965, Marco Bellocchio)
September 17, 6:30
Released 1968
Sandra [Vaghe stelle dell’Orsa/Glimmering Stars of the Great Bear] (1965, Luchino Visconti)
September 17, 9:30
Released 1966
The Koumiko Mystery [Le Mystère Koumiko] (1965, Chris Marker)
And: Twilight of Empire (1964, Kevin Billington)
September 18, 3:00
Released 1967/Never released
Not Reconciled [Nicht versöhnt oder Es hilft nur Gewalt wo Gewalt herrscht/Not Reconciled, or Only Violence Helps Where Violence Rules] (1965, Jean-Marie Straub & Danièle Huillet)
September 18, 6:30
Released 1969
“Closing Night”: Red Beard [Akahige] (1965, Kurosawa Akira)
September 18, 8:40
Released 1968

Ephemera

• “Film ’65”: Thirteen panel discussions coordinated by Arthur Knight at the Library and Museum of Performing Arts in Lincoln Center, all free
• Excerpts from Dark Victory, All About Eve, and Jezebel shown after Of Human Bondage

Recurring Directors

Key: films in this iteration excluding shorts/omnibus/retrospectives, films in this iteration including, films in the festival up to this point excluding, films up to this point including, number of gala spots (when applicable), number of festivals with more than one film shown (when applicable); † indicates their last appearance, fraction in parentheses indicates number of features shown from oeuvre, features released in the eligible timeframe, features in oeuvre

• Jerzy Skolimowski: 2/2/2/2/0/1
• Jean-Luc Godard: 1/3/3/6/1/2
• Satyajit Ray: 1/1/2/2/1
• Chris Marker: 1/1/2/2
• Kurosawa Akira: 1/1/1/1/1
• Marco Bellocchio: 1/1/1/1
• Miloš Forman: 1/1/1/1
• James Ivory: 1/1/1/1
• Jean-Marie Straub & Danièle Huillet: 1/1/1/1
• Luchino Visconti: 1/1/1/1
• Bo Widerberg: 1/1/1/1
• Michelangelo Antonioni: 0/1/0/1
• Claude Chabrol: 0/1/0/1
• Louis Feuillade: 0/1/0/1
• Éric Rohmer: 0/1/0/1
• Jean Rouch: 0/1/0/1
• Erich von Stroheim: 0/1/0/1

Recurring Countries

Key: films in this iteration excluding shorts/retrospectives, films in this iteration including, films in the festival up to this point excluding, films up to this point including, number of gala spots (when applicable)

• France: 4/7/16/20/2
• USA: 2/6/9/13
• Italy: 2/3/9/10
• Poland: 2/2/5/5
• Czechoslovakia: 2/2/2/3
• Canada: 1/2/2/3
• Japan: 1/1/8/8/1
• India: 1/1/2/2/1
• Sweden: 1/1/2/2
• Denmark: 1/1/1/1
• West Germany: 1/1/1/1
• UK: 0/1/2/3

One-Time Directors

• Kevin Billington (short)
• René Clément (retrospective)
• John Cromwell (retrospective)
• Jean Douchet (omnibus)
• Carl Th. Dreyer
• Georges Franju
• Buster Keaton (retrospective)
• Laurence L. Kent
• Ján Kadár & Elmar Klos
• Arthur Penn
• Jean-Daniel Pollet (omnibus)
• Gerald Potterton (short)
• Alan Schneider (short)

Feature Debuts

• Marco Bellocchio
• Jerzy Skolimowski
• Jean-Marie Straub & Danièle Huillet

Final Features

• Carl Th. Dreyer

Festivals

• Cannes
  • Knave of Hearts (1954, Special Jury Prize)
  • Raven’s End (1964)
  • The Shop on Main Street (Special mention for actors)
  • Walkover (International Critics’ Week)
• Berlin
  • Alphaville (Golden Bear)
  • Charulata (Best Director, OCIC)
  • Shakespeare Wallah (Best Actress)
  • Thomas the Impostor
  • Six in Paris (?)
  • Not Reconciled (?)
  • The Railrodder (Short Silver Bear)
• Venice
  • Sandra (Golden Lion)
  • Red Beard (Volpi Cup for Best Actor, OCIC; also Moscow)
  • Mickey One
  • Gertrud (non-competition, FIPRESCI)
  • Film (short)
• Other
  • Black Peter (Locarno, Golden Leopard)
  • Fists in the Pocket (Locarno, Silver Sail)
  • The Koumiko Mystery (Locarno)
  • Identification Marks: None (London)
  • Sweet Substitute (Montreal, Special Jury Prize)
• N/A
  • The Lady Without Camelias
  • The Wedding March
  • Les Vampires
  • Of Human Bondage
  • Le Petit Soldat
  • Twilight of Empire

Oscar Nominees

• Of Human Bondage: 1934 Best Actress (unofficial)
• Raven’s End: 1964 Best Foreign Film
• The Shop on Main Street: Best Foreign Film (won), 1966 Best Actress

Events/Shorts

Discussions By Length (Approximate)

• 12:32 “Buster and Beckett” (1:40:20-1:52:52)
• 11:01 Red Beard (2:59:37-3:10:38)
• 11:01 Six in Paris [Omnibus] (2:00:05-2:11:06)
• 10:23 Charulata (43:48-54:11)
• 10:19 Gertrud (2:19:24-2:29:43)
• 10:10 Not Reconciled (2:49:26-2:59:36)
• 9:26 Identification Marks: None/Walkover (1:12:44-1:22:10)
• 9:10 Alphaville (9:47-18:57)
• 9:05 Shakespeare Wallah (1:22:11-1:31:16)
• 8:17 Les Vampires [One Person] (1:32:02-1:40:19)
• 7:29 Le Petit Soldat (2:11:07-2:18:36)
• 7:20 The Koumiko Mystery (2:40:59-2:48:19)
• 6:54 Black Peter (1:01:54-1:08:48)
• 6:51 The Wedding March [One Person] (55:02-1:01:53)
• 6:44 Mickey One (22:15-28:59)
• 6:15 Of Human Bondage [One Person] (1:52:53-1:59:08)
• 5:51 The Shop on Main Street [One Person] (32:41-38:32)
• 5:42 Sandra (2:35:16-2:40:58)
• 5:31 Fists in the Pocket (2:29:44-2:35:15)
• 5:14 The Lady Without Camelias [One Person] (38:33-43:47)
• 3:54 Thomas the Impostor [One Person] (1:08:49-1:12:43)
• 3:40 Raven’s End [One Person] (29:00-32:40)
• 3:16 Knave of Hearts [One Person] (18:58-22:14)
• 1:05 Twilight of Empire [Unavailable] (2:48:20-2:49:25)
• 0:55 Sweet Substitute [Unavailable] (1:59:09-2:00:04)

Specifications

• Jean-Luc Godard, Alphaville: une étrange aventure de Lemmy Caution, 1965, 35 mm, black-and-white, mono sound, 99 minutes, 1.37:1, French, France.
• René Clément, Monsieur Ripois, 1954, 35 mm, black-and-white, mono sound, 100 minutes, 1.37:1, French, France.
• Arthur Penn, Mickey One, 1965, 35 mm, black-and-white, mono sound, 93 minutes, 1.85:1, English, USA.
• Bo Widerberg, Kvarteret Korpen, 1963, 35 mm, black-and-white, mono sound, 101 minutes, 1.37:1, Swedish, Sweden.
• Ján Kadár & Elmar Kos, Obchod na korze, 1965, 35 mm, black-and-white, mono sound, 128 minutes, 1.37:1, Slovak, Czechoslovakia.
• Michelangelo Antonioni, La signora senza camelie, 1953, 35 mm, black-and-white, mono sound, 101 minutes, 1.37:1, Italian, Italy.
• সত্যজিত রায়, চারুলতা, 1965, 35 mm, black-and-white, mono sound, 117 minutes, 1.37:1, Bengali, India.
• Erich von Stroheim, The Wedding March, 1928, 35 mm, black-and-white and color, silent, 113 minutes, 1.33:1, English, USA.
• Miloš Forman, Černý Petr, 1964, 35 mm, black-and-white, mono sound, 85 minutes, 1.37:1, Czech, Czechoslovakia.
• Georges Franju, Thomas l’imposteur, 1964, 35 mm, black-and-white, mono sound, 94 minutes, 1.85:1, French, France.
• Jerzy Skolimowski, Rysopis, 1964, 35 mm, black-and-white, mono sound, 73 minutes, 1.66:1, Polish, Poland.
• Jerzy Skolimowski, Walkower, 1965, 35 mm, black-and-white, mono sound, 77 minutes, 1.66:1, Polish, Poland.
• James Ivory, Shakespeare Wallah, 1965, 35 mm, black-and-white, mono sound, 120 minutes, 1.85:1, English and Bengali, USA.
• Louis Feullade, Les Vampires, 1915, 35 mm, black-and-white, silent, 417 minutes, 1.33:1, French, France.
• Gerald Potterton, The Railrodder, 1965, 35 mm, color, mono sound, 24 minutes, 1.37:1, English, Canada.
• Alan Schneider, Film, 1965, 35 mm, black-and-white, mono sound, 20 minutes, 1.37:1, English, USA.
• Buster Keaton, Seven Chances, 1925, 35 mm, black-and-white and color, silent, 56 minutes, 1.33:1, English, USA.
• John Cromwell, Of Human Bondage, 1934, 35 mm, black-and-white, mono sound, 83 minutes, 1.37:1, English, USA.
• Laurence L. Kent, Sweet Substitute, 1964, 35 mm, black-and-white, mono sound, 90 minutes, 1.37:1, English, Canada. (?)
• Jean Douchet/Jean Rouch/Jean-Daniel Pollet/Éric Rohmer/Jean-Luc Godard/Claude Chabrol, Paris vu par…, 1965, 16 mm, color, mono sound, 95 minutes, 1.37:1, French, France.
• Jean-Luc Godard, Le Petit Soldat, 1963, 35 mm, black-and-white, mono sound, 88 minutes, 1.37:1, French, France.
• Carl Th. Dreyer, Gertrud, 1964, 35 mm, black-and-white, mono sound, 116 minutes, 1.66:1, Danish, Denmark.
• Marco Bellocchio, I pugni in tasca, 1965, 35 mm, black-and-white, mono sound, 105 minutes, 1.85:1, Italian, Italy.
• Luchino Visconti, Vaghe stelle dell’Orsa, 1965, 35 mm, black-and-white, mono sound, 105 minutes, 1.66:1, Italian, Italy.
• Chris Marker, Le Mystère Koumiko, 1965, 16 mm, color, mono sound, 54 minutes, 1.37:1, French, France.
• Kevin Billington, Twilight of Empire, 1964, 16 mm, black-and-white, mono sound, 21 minutes, 1.37:1, English, UK. (?)
• Jean-Marie Straub & Danièle Huillet, Nicht versöhnt oder Es hilft nur Gewalt wo Gewalt herrscht, 1965, 35 mm, black-and-white, mono sound, 52 minutes, 1.37:1, German, West Germany.
• 黒澤明, 赤ひげ, 1965, 35 mm, black-and-white, 4-track stereo sound, 185 minutes, 2.35:1, Japanese, Japan.

Table of Contents: Description, Corrections/Clarifications, Housekeeping, General, Main Slate, Ephemera, Recurring Directors, Recurring Countries, One-Time Directors, Debuts/Final Features, Festivals/Oscar Nominees, Shorts, Discussions By Length, Specifications

Listen to the podcast here.
Subscribe to the podcast here.

Description
The second episode of the Catalyst and Witness podcast, devoted to exploring the films and format of the New York Film Festival, hosted by Ryan Swen and Dan Molloy. This covers the second edition of the festival in 1964.

0:00-9:58 – Opening
9:59-1:21:50 – Part One [Hamlet to Salvatore Giuliano]
1:21:51-2:21:44 – Part Two [A Woman Is a Woman to The Last Clean Shirt]
2:21:45-3:04:05 – Part Three [Passenger to Alone on the Pacific]
3:04:06-3:44:17 – Part Four [King & Country to The Big City]
3:44:18-3:50:37 – Closing

Corrections/Clarifications

• The decision to withdraw the Museum of Modern Art from the New York Film Festival was made by the board of trustees, not the board of donors.
• Though various New York Times articles claim that shorts were attached to the films at the 1st New York Film Festival, I was unable to find the titles of the shorts (aside from the Robert Drew short documentaries).
• The song that plays in the scene from A Woman Is a Woman is sung by Charles Aznavour, not Maurice Chevalier.

Housekeeping

• Hosted by Dan Molloy & Ryan Swen
• Conceived and Edited by Ryan Swen
• Recorded in Seattle and Portland on MacBook GarageBand, Edited in Audacity
• Podcast photograph from Yi Yi, Logo designed by Dan Molloy
• Poster by Saul Bass
• Recorded March 5, 2018
• Released March 12, 2018
• Music (in order of appearance):
  • Hamlet (opening night)
  • A Woman Is a Woman (another favorite)
  • Woman in the Dunes (favorite of the first section)
  • Nothing But a Man (favorite of the second section)
  • Passenger (favorite of the third section)
  • King & Country (favorite of the fourth section)
  • The Big City (closing night)

General

• Selection Committee: Richard Roud (program director), Amos Vogel (festival director)
• Location: Philharmonic Hall
• Prices: 2 for terrace, 2.50 or 3 for orchestra, 3.50 or 4 for loge, with 1 added to all seats for opening night
• Pass for all programs: 42.50 vs. 50 for terrace, 55.00 vs. 62.50 and 67.50 vs. 75.00 for orchestra
• Films seen for the podcast:
  • Ryan
    • Seen before podcast watching period: A Woman Is a Woman
    • Seen for the podcast: All available except Passenger, Before the Revolution, The Big City; A Woman Is a Woman rewatched
    • Favorite films: Woman in the Dunes, The Brig, Nothing But a Man
    • Least favorite films: Salvatore Giuliano, Siberian Lady Macbeth, The Last Clean Shirt, Fail-Safe
    • Seen after the podcast: The Big City (3rd), Passenger (3rd), Before the Revolution (3rd), Band of Outsiders rewatched (16th)
  • Dan
    • Seen before podcast watching period: Salvatore Giuliano, A Woman Is a Woman, Band of Outsiders, Nothing But a Man
    • Seen for the podcast: All available; A Woman Is a Woman rewatched
    • Favorite films: Nothing But a Man, Woman in the Dunes, Band of Outsiders
    • Least favorite films: Siberian Lady Macbeth, Alone Across the Pacific, Fail-Safe
• Discoveries of the festival: Hamlet, The Brig, Passenger, Life Upside Down
• Unavailable films: The Inheritance, To Love, Cyrano and d’Artagnan, Ça ira*

Main Slate

Opening Night: Hamlet [Gamlet] (1964, Grigori Kozintsev)
September 14, 9:00
Released 1966
The Inheritance [La Herencia] (1964, Ricardo Alventosa)
Also: Joseph Kilian [Postava k podpírání/A Character in Need of Support] (1963, Pavel Juráček & Jan Schmidt)
September 15, 6:30
Never released/Released 1966
Fail-Safe (1964, Sidney Lumet)
September 15, 9:15
Released 1964
Nobody Waved Good-bye (1964, Don Owen)
September 16, 6:30
Released 1965
Woman in the Dunes [Suna no Onna/Sand Woman] (1964, Teshigahara Hiroshi)
September 16, 9:15
Released 1964
Hands Over the City [Le mani sulla città] (1963, Francesco Rosi)
September 17, 6:30
Never released
Salvatore Giuliano (1962, Francesco Rosi)
September 17, 9:15
Released 1964
A Woman Is a Woman [Une femme est une femme] (1961, Jean-Luc Godard)
September 18, 6:30
Released 1964
Band of Outsiders [Bande à part] (1964, Jean-Luc Godard)
September 18, 9:15
Released 1966
Nothing But a Man (1964, Michael Roemer)
September 19, 6:30
Released 1964
Lilith (1964, Robert Rossen)
September 19, 9:15
Released 1964
Shin Heike Monogatari [Taira Clan Saga] (1955, Mizoguchi Kenji)
September 20, 3:00
Never released
The Brig (1964, Jonas Mekas)
Also: The Last Clean Shirt (1964, Alfred Leslie)
September 20, 6:30
Released 1966/Never released
Passenger [Pasażerka] (1963, Andrzej Munk)
Also: …A Valparaiso [To Valparaiso] (1963, Joris Ivens)
September 20, 9:15
Released 1970/Released 1965
L’Âge d’or [The Golden Age] (1930, Luis Buñuel)
September 21, 6:30
Released 1980
Diary of a Chambermaid [Le journal d’une femme de chambre] (1964, Luis Buñuel)
September 21, 9:15
Released 1965
Conflagration [Enjō] (1958, Ichikawa Kon)
September 22, 6:30
Never released
To Love [Att älska] (1964, Jörn Donner)
September 22, 9:15
Released 1964
Alone Across the Pacific [Taiheiyo hitori-botchi] (1963, Ichikawa Kon)
September 23, 6:30
Released 1964
King & Country (1964, Joseph Losey)
September 23, 9:15
Released 1966
Life Upside Down [La vie à l’envers] (1964, Alain Jessua)
September 24, 6:30
Released 1965
Before the Revolution [Prima della rivoluzione] (1964, Bernardo Bertolucci)
September 24, 9:15
Released 1965
She and He [Kanojo to kare] (1963, Hani Susumu)
September 25, 6:30
Released 1967
Cyrano and d’Artagnan [Cyrano et d’Artagnan] (1964, Abel Gance)
September 25, 9:15
Never released
Ça ira – Il fiume della rivolta (1964, Tinto Brass)
Replaced With: Siberian Lady Macbeth [Sibirska Ledi Magbet] (1962, Andrzej Wajda)
September 26, 6:30
Released 1971/Never released
“Closing Night”: The Big City [Mahanagar] (1963, Satyajit Ray)
September 26, 9:15
Released 1967

Ephemera

• Excerpts from quartet of Andy Warhol films shown on the Grand Promenade at Philharmonic Hall: Eat, Kiss, Haircut, Sleep

Recurring Directors
Key: films in this iteration excluding shorts/omnibus/retrospectives, films in this iteration including, films in the festival up to this point excluding, films up to this point including, number of gala spots (when applicable), number of festivals with more than one film shown (when applicable); † indicates their last appearance, fraction in parentheses indicates number of features shown from oeuvre, features released in the eligible timeframe, features in oeuvre

• Luis Buñuel: 2/2/3/3/1/1
• Jean-Luc Godard: 2/2/2/3/0/1
• Ichikawa Kon: 2/2/2/2/0/1
• Francesco Rosi: 2/2/2/2/0/1
• Joseph Losey: 1/1/2/2
• Grigori Kozintsev: 1/1/1/1/1
• Satyajit Ray: 1/1/1/1/1
• Bernardo Bertolucci: 1/1/1/1
• Abel Gance: 1/1/1/1
• Sidney Lumet: 1/1/1/1
• Jonas Mekas: 1/1/1/1
• Mizoguchi Kenji: 1/1/1/1
• Michael Roemer: 1/1/1/1
• Teshigahara Hiroshi: 1/1/1/1
• Andrzej Wajda: 1/1/1/1
• Joris Ivens: 0/1/0/1

Recurring Countries
Key: films in this iteration excluding shorts/retrospectives, films in this iteration including, films in the festival up to this point excluding, films up to this point including, number of gala spots (when applicable)

• France: 6/7/12/13/1
• Japan: 5/5/7/7
• USA: 5/5/7/7
• Italy: 4/4/7/7
• Poland: 2/2/3/3
• Argentina: 1/1/2/2
• UK: 1/1/2/2
• India: 1/1/1/1/1
• USSR: 1/1/1/1/1
• Canada: 1/1/1/1
• Sweden: 1/1/1/1
• Czechoslovakia: 0/1/0/1

One-Time Directors

• Richardo Alventosa
• Tinto Brass (replaced)
• Jörn Donner
• Hani Susumu
• Alain Jessua
• Pavel Juráček & Jan Schmidt (short)
• Alfred Leslie (short)
• Andrzej Munk
• Don Owen
• Robert Rossen

Feature Debuts

• Ricardo Alventosa
• Luis Buñuel (retrospective)
• Alain Jessua
• Don Owen
• Michael Roemer

Final Features

• Andrzej Munk
• Robert Rossen

Festivals

• NYFF World Premiere
  • Fail-Safe
• Cannes
  • Woman in the Dunes (Special Jury Prize; also Montreal)
  • Passenger (Special Mention, FIPRESCI)
  • Alone Across the Pacific (also San Francisco)
  • Before the Revolution (International Critics’ Week, Young Critics Prize)
  • The Inheritance (International Critics’ Week)
  • Joseph Kilian (International Critics’ Week)
• Berlin
  • A Woman Is a Woman (1961, Best Actress, Special Jury Prize)
  • Salvatore Giuliano (1962, Best Director; also 1963 Montreal)
  • The Big City (Best Director)
  • She and He (Best Actress, OCIC, Best Feature Film Suitable for Young People)
• Venice
  • Hands Over the City (1963, Golden Lion)
  • Hamlet (Special Jury Prize)
  • To Love (Volpi Cup for Best Actress)
  • King & Country (Volpi Cup for Best Actor)
  • Life Upside Down (Best First Work; also Cannes International Critics’ Week)
  • Nothing But a Man (San Giorgio Prize)
  • The Brig (Documentary Festival, Grand Prize)
  • Ça ira (?)
  • Lilith (withdrawn)
• Other
  • Nobody Waved Good-bye (Montreal)
  • Diary of a Chambermaid (Karlovy Vary, Best Actress; also Venice?)
• N/A
  • Band of Outsiders (Berlin and Locarno?)
  • Shin Heike Monogatari
  • The Last Clean Shirt
  • …A Valparaiso
  • L’Âge d’or
  • Conflagration
  • Cyrano and d’Artagnan
  • Siberian Lady Macbeth

Oscar Nominees

• Woman in the Dunes: Best Foreign Film, 1965 Best Director

Shorts

Discussions By Length (Approximate)

• 15:35 Fail-Safe (30:55-46:30)
• 14:24 The Brig (2:03:29-2:17:53)
• 11:56 Hamlet (11:03-22:59)
• 11:47 Woman in the Dunes (57:43-1:09:30)
• 11:11 Nobody Waved Good-bye (46:31-57:42)
• 10:44 Nothing But a Man (1:37:32-1:48:16)
• 10:37 The Big City (3:33:40-3:44:17)
• 8:44 Passenger (2:23:19-2:32:03)
• 8:14 A Woman Is a Woman (1:23:02-1:31:16)
• 7:47 Lilith (1:48:17-1:56:04)
• 7:36 Diary of a Chambermaid (2:42:31-2:50:07)
• 7:23 Shin Heike Monogatari (1:56:05-2:03:28)
• 7:06 Joseph Kilian [Short] (23:48-30:54)
• 7:03 Salvatore Giuliano (1:14:47-1:21:50)
• 6:40 Alone Across the Pacific (2:57:25-3:04:05)
• 6:26 King & Country (3:04:57-3:11:23)
• 6:14 Band of Outsiders (1:31:17-1:37:31)
• 5:42 Conflagration (2:50:08-2:55:50)
• 5:32 Life Upside Down (3:11:24-3:16:56)
• 5:31 Before the Revolution [One Person] (3:16:57-3:22:28)
• 5:29 L’Âge d’or (2:37:01-2:42:30)
• 5:15 Hands Over the City (1:09:31-1:14:46)
• 5:00 She and He (3:22:29-3:27:29)
• 4:56 …A Valparaiso [Short] (2:32:04-2:37:00)
• 4:17 Ça ira/Siberian Lady Macbeth (3:29:22-3:33:39)
• 3:50 The Last Clean Shirt [Short] (2:17:54-2:21:44)
• 1:51 Cyrano and d’Artagnan [Unavailable] (3:27:30-3:29:21)
• 1:33 To Love [Unavailable] (2:55:51-2:57:24)
• 0:47 The Inheritance [Unavailable] (23:00-23:47)

Specifications

• Григо́рий Ко́зинцев, Гамлет, 1964, 35 mm, black-and-white, 4-track stereo sound, 140 minutes, 2.35:1, Russian, USSR.
• Ricardo Alventosa, La Herencia, 1964, 35 mm, black-and-white, mono sound, 78 minutes, 1.37:1, Spanish, Argentina.
• Pavel Juráček & Jan Schmidt, Postava k podpírání, 1963, 35 mm, black-and-white, mono sound, 38 minutes, 1.37:1, Czech, Czechoslovakia.
• Sidney Lumet, Fail-Safe, 1964, 35 mm, black-and-white, mono sound, 112 minutes, 1.85:1, English, USA.
• Don Owen, Nobody Waved Good-bye, 1964, 16 mm, black-and-white, mono sound, 80 minutes, 1.66:1, English, Canada.
• 勅使河原宏, 砂の女, 1964, 35 mm, black-and-white, mono sound, 147 minutes, 1.37:1, Japanese, Japan.
• Francesco Rosi, Le mani sulla città, 1963, 35 mm, black-and-white, mono sound, 101 minutes, 1.85:1, Italian, Italy.
• Francesco Rosi, Salvatore Giuliano, 1962, 35 mm, black-and-white, mono sound, 123 minutes, 1.85:1, Italian, Italy.
• Jean-Luc Godard, Une femme est une femme, 1961, 35 mm, color, mono sound, 85 minutes, 2.35:1, French, France.
• Jean-Luc Godard, Bande à part, 1964, 35 mm, black-and-white, mono sound, 97 minutes, 1.37:1, French, France.
• Michael Roemer, Nothing But a Man, 1964, 35 mm, black-and-white, mono sound, 95 minutes, 1.37:1, English, USA.
• Robert Rossen, Lilith, 1964, 35 mm, black-and-white, mono sound, 114 minutes, 1.85:1, English, USA.
• 溝口健二, 新・平家物語, 1955, 35 mm, color, mono sound, 108 minutes, 1.37:1, Japanese, Japan.
• Jonas Mekas, The Brig, 1964, 16 mm, black-and-white, mono sound, 68 minutes, 1.37:1, English, USA.
• Alfred Leslie, The Last Clean Shirt, 1964, 16 mm, black-and-white, mono sound, 40 minutes, 1.37:1, Finnish, USA.
• Andrzej Munk, Pasażerka, 1963, 35 mm, black-and-white, mono sound, 62 minutes, 1.85:1, Polish, Poland.
• Joris Ivens, …A Valparaiso, 1963, 16 mm, black-and-white and color, mono sound, 26 minutes, 1.37:1, French, France.
• Luis Buñuel, L’Âge d’or, 1930, 35 mm, black-and-white, mono sound, 63 minutes, 1.20:1, French, France.
• Luis Buñuel, Le journal d’une femme de chambre, 1964, 35 mm, black-and-white, mono sound, 97 minutes, 2.35:1, French, France.
• 市川崑, 炎上, 1958, 35 mm, black-and-white, mono sound, 99 minutes, 2.35:1, Japanese, Japan.
• Jörn Donner, Att älska, 1964, 35 mm, black-and-white, mono sound, 90 minutes, 1.66:1, Swedish, Sweden.
• 市川崑, 太平洋ひとりぼっち, 1963, 35 mm, color, mono sound, 104 minutes, 2.35:1, Japanese, Japan.
• Joseph Losey, King & Country, 1964, 35 mm, black-and-white, mono sound, 88 minutes, 1.66:1, English, UK.
• Alain Jessua, La vie à l’envers, 1964, 35 mm, black-and-white, mono sound, 92 minutes, 1.85:1, French, France.
• Bernardo Bertolucci, Prima della rivoluzione, 1964, 35 mm, black-and-white, mono sound, 115 minutes, 1.85:1, Italian, Italy.
• 羽仁進, 彼女と彼, 1963, 35 mm, black-and-white, mono sound, 110 minutes, 1.37:1, Japanese, Japan.
• Abel Gance, Cyrano et d’Artagnan, 1964, 35 mm, color, mono sound, 145 minutes, 2.35:1, French, France.
• Tinto Brass, Ça ira – Il fiume della rivolta, 1964, 35 mm, black-and-white, mono sound, 89 minutes, 1.37:1, Italian, Italy.
• Andrzej Wajda, Sibirska Ledi Magbet, 1962, 35 mm, black-and-white, mono sound, 93 minutes, 2.35:1, Serbo-Croatian, Poland.
• সত্যজিত রায়, মহানগর, 1963, 35 mm, black-and-white, mono sound, 136 minutes, 1.37:1, Bengali, India.

Table of Contents: Description, Corrections/Clarifications, Housekeeping, General, Main Slate, Ephemera, Recurring Directors, Recurring Countries, One-Time Directors, Debuts/Final Features, Festivals/Oscar Nominees, Discussions By Length, Specifications

Listen to the podcast here.
Subscribe to the podcast on iTunes here.

Description
The first episode of the Catalyst and Witness podcast, devoted to exploring the films and format of the New York Film Festival, hosted by Ryan Swen and Dan Molloy. This covers the first edition of the festival in 1963, and includes an introduction to the mission of the podcast as a whole.

0:00-16:07 – Introduction to the Podcast
16:08-26:27 – Opening
26:28-1:09:45 – Part One [The Exterminating Angel to Elektra at Epidaurus]
1:09:46-1:48:11 – Part Two [Hallelujah the Hills to Ro.Go.Pa.G.]
1:48:12-2:39:48 – Part Three [The Servant to Sweet and Sour]
2:39:49-2:48:06 – Closing

Corrections/Clarifications

• The editorial with the title “The Film As Art” was not written by Amos Vogel, likely written by the editorial team in collaboration with the publisher, Arthur Ochs Sulzberger.
• Avery Fisher Hall was renamed as David Geffen Hall in 2015.
• The Terrace is an Argentinian film, not an Italian movie.
• Harakiri played in the 1963 Cannes Film Festival.
• Barravento was released in New York City in 1987.
• The last film to play at the festival was Sweet and Sour.
• The whole festival was sold out.
• Ted Zarpas directed Elektra at Epidaurus, not Takis Mouzenidis.

Housekeeping

• Hosted by Dan Molloy & Ryan Swen
• Conceived and Edited by Ryan Swen
• Recorded in Seattle and Portland on MacBook GarageBand, Edited in Audacity
• Podcast photograph from Yi Yi, Logo designed by Dan Molloy
• Poster by Larry Rivers
• Recorded January 28, 2018
• Released February 1, 2018
• Music (in order of appearance):
  • Sansho the Bailiff (first film to play at the New York Film Festival)
  • The Exterminating Angel (opening night)
  • Harakiri (second favorite of the first section)
  • An Autumn Afternoon (favorite of the first section)
  • The Trial of Joan of Arc (favorite of the second section)
  • Muriel, or the Time of Return (favorite of the third section)
  • Sweet and Sour (closing night)

General

• Selection Committee: Richard Roud (program director), Amos Vogel (festival director)
• Location: Philharmonic Hall
• Prices: 1.50 for terrace, 2.25 for orchestra, 3.50 for loge
• Films seen for the podcast:
  • Ryan
    • Seen before podcast watching period: An Autumn Afternoon
    • Seen for the podcast: All available; none rewatched
    • Favorite films: Muriel or the Time of Return, An Autumn Afternoon, The Servant
    • Least favorite films: Magnet of Doom, All the Way Home
    • Films seen after the podcast: Muriel or the Time of Return rewatched (13th)
  • Dan
    • Seen before podcast watching period: The Exterminating Angel, Harakiri, An Autumn Afternoon, The Trial of Joan of Arc
    • Seen for the podcast: All available except Ro.Go.Pa.G.; An Autumn Afternoon rewatched
    • Favorite films: An Autumn Afternoon, Muriel or the Time of Return, Le Joli Mai
    • Least favorite films: All the Way Home, Magnet of Doom
• Discoveries of the festival: The Sea, Glory Sky, In the Midst of Life
• Unavailable films: A Cozy Cottage, The Terrace, Elektra at Epidaurus, Sweet and Sour

Main Slate

“Opening Night”: The Exterminating Angel [El ángel exterminador] (1962, Luis Buñuel)
September 10, 9:15
Released 1967
In the Midst of Life [Au cœur de la vie] (1963, Robert Enrico)
September 11, 6:30
Never released
Knife in the Water [Nóż w wodzie] (1962, Roman Polański)
September 11, 9:15
Released 1963
A Cozy Cottage [Kertes házak utcája/Street With Garden Houses] (1963, Fejér Tamás)
September 12, 6:30
Never released
Harakiri [Seppuku] (1962, Kobayashi Masaki)
September 12, 9:15
Released 1964
An Autumn Afternoon [Sanma no aji/The Taste of Sanma] (1962, Ozu Yasujiro)
September 13, 6:30
Released 1973
The Terrace [La terraza] (1963, Leopoldo Torre Nilsson)
September 13, 9:15
Released 1964
Elektra at Epidaurus [Ilektra] (1962, Ted Zarpas)
September 14, 3:00
Never released
Hallelujah the Hills (1963, Adolfas Mekas)
September 14, 6:30
Released 1963
All the Way Home (1963, Alex Segal)
September 14, 9:15
Released 1963
Glory Sky [Ouranos/Heaven] (1962, Takis Kanellopoulos)
September 15, 3:00
Released 1963
The Trial of Joan of Arc [Procès de Jeanne d’Arc] (1962, Robert Bresson)
September 15, 6:30
Released 1965
The Fiancés [I fidanzati] (1963, Ermanno Olmi)
September 15, 9:15
Released 1964
Ro.Go.Pa.G. (1963, Omnibus: Roberto Rossellini, Jean-Luc Godard, Pier Paolo Pasolini, Ugo Gregoretti)
September 16, 6:30
Never released
The Servant (1963, Joseph Losey)
September 16, 9:15
Released 1964
The Sea [Il mare] (1963, Giuseppe Patroni Griffi)
September 17, 6:30
Never released
Magnet of Doom [L’Aîné des Ferchaux/The Son of Ferchaux] (1963, Jean-Pierre Melville)
September 17, 9:15
Never released
Le Joli Mai [The Lovely Month of May] (1963, Chris Marker & Pierre Lhomme)
September 18, 6:30
Released 1966
Muriel, or the Time of Return [Muriel ou le Temps d’un retour] (1963, Alain Resnais)
September 18, 9:15
Released 1963
Barravento [The Turning Wind] (1962, Glauber Rocha)
September 19, 6:30
Released 1987
“Closing Night”: Sweet and Sour [Dragées au Poivre/Peppered Sugared Almonds] (1963, Jacques Baratier)
September 19, 9:15
Released 1964

Ephemera

• Crisis (Robert Drew) [shown with The Trial of Joan of Arc]
• The Chair (Robert Drew) [shown with The Fiancés]
• O.K. End Here (Robert Frank) [shown with Hallelujah the Hills]
• Museum of Modern Art side-bar:
  • Sansho the Bailiff (Mizoguchi Kenji)
  • The Exiles (Kent MacKenzie)
  • I Live in Fear (Kurosawa Akira)
  • The Olive Trees of Justice (James Blue)
  • Point of Order (Emile de Antonio)
  • La Terra Trema (Luchino Visconti) [replaced with Peace to Him Who Enters (Aleksandr Alov & Vladimir Naumov)]
  • Fin de Fiesta (Leopoldo Torre Nilsson)
  • Bread of Our Former Years (Herbert Vesely)
  • The New Angels (Ugo Gregoretti)
  • Lola Montés (Max Ophuls)

Recurring Directors
Key: films in this iteration excluding shorts/omnibus/retrospectives, films in this iteration including, films in the festival up to this point excluding, films up to this point including, number of gala spots (when applicable), number of festivals with more than one film shown (when applicable); † indicates their last appearance, fraction in parentheses indicates number of features shown from oeuvre, features released in the eligible timeframe, features in oeuvre

• Luis Buñuel: 1/1/1/1/1
• Robert Bresson: 1/1/1/1
• Kobayashi Masaki: 1/1/1/1
• Joseph Losey: 1/1/1/1
• Chris Marker: 1/1/1/1
• Adolfas Mekas: 1/1/1/1
• Jean-Pierre Melville: 1/1/1/1
• Ermanno Olmi: 1/1/1/1
• Roman Polański: 1/1/1/1
• Alain Resnais: 1/1/1/1
• Glauber Rocha: 1/1/1/1
• Leopoldo Torre Nilsson: 1/1/1/1
• Jean-Luc Godard: 0/1/0/1
• Pier Paolo Pasolini: 0/1/0/1
• Roberto Rossellini: 0/1/0/1

Recurring Countries
Key: films in this iteration excluding shorts/retrospectives, films in this iteration including, films in the festival up to this point excluding, films up to this point including, number of gala spots (when applicable)

• France: 6/6/6/6/1
• Italy: 3/3/3/3
• Greece: 2/2/2/2
• Japan: 2/2/2/2
• USA: 2/2/2/2
• Mexico: 1/1/1/1/1
• Argentina: 1/1/1/1
• Brazil: 1/1/1/1
• Hungary: 1/1/1/1
• Poland: 1/1/1/1
• UK: 1/1/1/1

One-Time Directors

• Jacques Baratier (gala)
• Robert Enrico
• Féjér Tamás
• Ugo Gregoretti (omnibus)
• Giuseppe Patroni Griffi
• Takis Kanellopoulos
• Pierre Lhomme
• Ozu Yasujiro
• Alex Segal
• Ted Zarpas

Feature Debuts

• Giuseppe Patroni Griffi
• Takis Kanellopoulos
• Adolfas Mekas
• Roman Polański
• Glauber Rocha

Final Features

• Ozu Yasujiro

Festivals

• NYFF World Premiere
  • All the Way Home
• Cannes
  • The Trial of Joan of Arc (1962, Special Jury Prize)
  • The Exterminating Angel (1962, FIPRESCI)
  • Harakiri (Special Jury Prize)
  • The Fiancés (OCIC)
  • A Cozy Cottage
  • Glory Sky
  • Hallelujah the Hills (International Critics’ Week; also Locarno, Silver Sail)
  • Le Joli Mai (International Critics’ Week)
• Berlin
  • The Terrace
• Venice
  • Muriel, or the Time of Return (Best Actress)
  • The Servant
  • Sweet and Sour
  • Elektra at Epidaurus (1962 Information Section)
  • Knife in the Water (1962 Information Section)
  • The Sea (1962 Information Section)
• Other
  • An Autumn Afternoon (Montreal)
  • Barravento (Sestri Levante)
  • In the Midst of Life (San Sebastian, Best Director and FIPRESCI)
• N/A
  • Magnet of Doom
  • Ro.Go.Pa.G.

Discussions By Length (Approximate)

• 11:33 The Servant (1:49:09-2:00:41)
• 10:44 Ro.Go.Pa.G. [Omnibus] (1:37:27-1:48:11)
• 10:22 The Exterminating Angel (26:43-35:05)
• 9:49 Muriel, or the Time of Return (2:24:23-2:34:12)
• 9:10 An Autumn Afternoon (59:02-1:08:12)
• 8:43 In the Midst of Life (35:06-43:49)
• 8:34 Harakiri (50:27-59:01)
• 8:32 Le Joli Mai (2:15:50-2:24:22)
• 8:23 The Sea (2:00:42-2:09:05)
• 6:43 Magnet of Doom (2:09:06-2:15:49)
• 6:23 Hallelujah the Hills (1:10:42-1:17:05)
• 6:01 All the Way Home (1:17:06-1:23:07)
• 5:41 Knife in the Water (43:50-49:31)
• 5:16 The Trial of Joan of Arc (1:26:57-1:32:12)
• 5:13 The Fiancés (1:32:13-1:37:26)
• 3:49 Barravento (2:34:13-2:38:02)
• 3:48 Glory Sky (1:23:08-1:26:56)
• 1:45 Sweet and Sour [Unavailable] (2:38:03-2:39:48)
• 0:55 Elektra at Epidaurus [Unavailable] (1:08:50-1:09:45)
• 0:54 A Cozy Cottage [Unavailable] (49:32-50:26)
• 0:36 The Terrace [Unavailable] (1:08:13-1:08:49)

Specifications

• Luis Buñuel, El ángel exterminador, 1962, 35 mm, black-and-white, mono sound, 95 minutes, 1.37:1, Spanish, Mexico.
• Robert Enrico, Au cœur de la vie, 1963, 35 mm, black-and-white, mono sound, 95 minutes, 1.37:1, French, France.
• Roman Polański, Nóż w wodzie, 1962, 35 mm, black-and-white, mono sound, 94 minutes, 1.37:1, Polish, Poland.
• Fejér Tamás, Kertes házak utcája, 1963, 35 mm, black-and-white, mono sound, 80 minutes, 1.37:1, Hungarian, Hungary.
• 小林正樹, 切腹, 1962, 35 mm, black-and-white, mono sound, 133 minutes, 2.35:1, Japanese, Japan.
• 小津安二郎, 秋刀魚の味, 1962, 35 mm, color, mono sound, 113 minutes, 1.37:1, Japanese, Japan.
• Leopoldo Torre Nilsson, La terraza, 1963, 35 mm, black-and-white, mono sound, 90 minutes, 1.85:1, Spanish, Argentina.
• Ted Zarpas, Ilektra, 1962, 35 mm, black-and-white, mono sound, 82 minutes, 1.37:1, Greek, Greece. (?)
• Adolfas Mekas, Hallelujah the Hills, 1963, 16 mm, black-and-white, mono sound, 88 minutes, 1.37:1, English, USA.
• Alex Segal, All the Way Home, 1963, 35 mm, black-and-white, mono sound, 97 minutes, 1.66:1, English, USA.
• Τάκης Κανελλόπουλοςs, Ουρανός, 1962, 35 mm, black-and-white, mono sound, 87 minutes, 1.37:1, Greek, Greece.
• Robert Bresson, Procès de Jeanne d’Arc, 1962, 35 mm, black-and-white, mono sound, 65 minutes, 1.66:1, French, France.
• Ermanno Olmi, I fidanzati, 1963, 35 mm, black-and-white, mono sound, 77 minutes, 1.85:1, Italian, Italy.
• Roberto Rossellini/Jean-Luc Godard/Pier Paolo Pasolini/Ugo Gregoretti, Ro.Go.Pa.G., 1963, 35 mm, black-and-white and color, mono sound, 122 minutes, 1.85:1, Italian, Italy.
• Joseph Losey, The Servant, 1963, 35 mm, black-and-white, mono sound, 116 minutes, 1.66:1, English, UK.
• Giuseppe Patroni Griffi, Il mare, 1963, 35 mm, black-and-white, mono sound, 110 minutes, 1.85:1, Italian, Italy.
• Jean-Pierre Melville, L’Aîné des Ferchaux, 1963, 35 mm, color, mono sound, 102 minutes, 2.35:1, French, France.
• Chris Marker & Pierre Lhomme, Le Joli Mai, 1963, 16 mm and 35 mm, black-and-white, mono sound, 145 minutes, 1.66:1, French, France.
• Alain Resnais, Muriel ou le Temps d’un retour, 1963, 35 mm, color, mono sound, 117 minutes, 1.66:1, French, France.
• Glauber Rocha, Barravento, 1962, 35 mm, black-and-white, mono sound, 78 minutes, 1.37:1, Portuguese, Brazil.
• Jacques Baratier, Dragées au Poivre, 1963, 35 mm, black-and-white, mono sound, 93 minutes, 1.37:1, French, France.

The podcast devoted to personal explorations of the New York Film Festival.

1st (1963): “The Film As Art”
2nd (1964): “All Over the World”
3rd (1965): “Films: Fashion of the Fashionable”
4th (1966): “An Exceptionally Personalized Point of View” [with Evan Morgan]
5th (1967): “To See and Be Seen”
6th (1968): “High Drama in Low Key” [with Etan Weisfogel]
7th (1969): “New Site, Same Scene” [with Caden Mark Gardner]
8th (1970): “The Deluge”
9th (1971): “This Year, Who Knows?”
10th (1972): “The Next Picture Show”
11th (1973): “Trains in the Night”
12th (1974): “A World Phenomenon” [with Jason Miller]
13th (1975): “Celluloid Guerillas” [with Alyssa Heflin]
14th (1976): “Artistic Freedom”
15th (1977): “A Real Smash” [with Keith Uhlich]
16th (1978): “A Thousand and One Details” [with Evan Morgan]
17th (1979): “Film Capital of the World” [with Jake Cole]
18th (1980): “The Earth Strikes Back” [with Shawn Glinis]

Running tallies of various NYFF statistics.

Festival Dispatches
2018 #1
2018 #2
2018 #3
2019 #1
2019 #2
2019 #3
2020 #1
2020 #2
2020 #3
2020 #4
2021 #1
2021 #2
2022
2023
2024 #1
2024 #2
2025 #1
2025 #2

Decades: 1960s, 1970s, 1980s, 1990s, 2000s, 2010s, 2020s

This series of lists details the featured films of the New York Film Festival “Main Slates,” which excludes sidebars, many shorts, and most other miscellaneous programmed works, in order of first screening.

Key: “*” denotes a gala (Opening Night, Centerpiece, or Closing Night) selection, “^” denotes a retrospective selection, “@” indicates the films that were shown as a double feature, and “%” indicates a film and the short that was advertised with it.

1st (1963):
*The Exterminating Angel (Luis Buñuel)
In the Midst of Life (Robert Enrico)
Knife in the Water (Roman Polański)
A Cozy Cottage (Fejér Tamás)
Harakiri (Kobayashi Masaki)
An Autumn Afternoon (Ozu Yasujiro)
The Terrace (Leopoldo Torre Nilsson)
Elektra at Epidaurus (Ted Zarpas)
Hallelujah the Hills (Adolfas Mekas)
All the Way Home (Alex Segal)
Glory Sky (Takis Kanellopoulos)
The Trial of Joan of Arc (Robert Bresson)
The Fiancés (Ermanno Olmi)
Ro.Go.Pa.G. (Omnibus)
The Servant (Joseph Losey)
The Sea (Giuseppe Patroni Griffi)
Magnet of Doom (Jean-Pierre Melville)
Le Joli Mai (Chris Marker & Pierre Lhomme)
Muriel, or the Time of Return (Alain Resnais)
Barravento (Glauber Rocha)
*Sweet and Sour (Jacques Baratier)

2nd (1964):
*Hamlet (Grigori Kozintsev)
The Inheritance (Ricardo Alventosa)%
Joseph Kilian (Pavel Juráček & Jan Schmidt)%
Fail-Safe (Sidney Lumet)
Nobody Waved Good-bye (Don Owen)
Woman in the Dunes (Teshigahara Hiroshi)
Hands Over the City (Francesco Rosi)
Salvatore Giuliano (Francesco Rosi)
A Woman Is a Woman (Jean-Luc Godard)
Band of Outsiders (Jean-Luc Godard)
Nothing But a Man (Michael Roemer)
Lilith (Robert Rossen)
Shin Heike Monogatari (Mizoguchi Kenji)
The Brig (Jonas Mekas)%
The Last Clean Shirt (Alfred Leslie)%
Passenger (Andrzej Munk)%
…A Valparaiso (Joris Ivens)%
L’Âge d’or (Luis Buñuel)
Diary of a Chambermaid (Luis Buñuel)
Conflagration (Ichikawa Kon)
To Love (Jörn Donner)
Alone Across the Pacific (Ichikawa Kon)
King & Country (Joseph Losey)
Life Upside Down (Alain Jessua)
Before the Revolution (Bernardo Bertolucci)
She and He (Hani Susumu)
Cyrano and d’Artagnan (Abel Gance)
Ça ira – Il fiume della rivolta (Tinto Brass) {replaced with Siberian Lady Macbeth (Andrzej Wajda)}
*The Big City (Satyajit Ray)

3rd (1965):
*Alphaville (Jean-Luc Godard)
^Knave of Hearts (René Clément)
Mickey One (Arthur Penn)
Raven’s End (Bo Widerberg)
The Shop on Main Street (Ján Kadár & Elmar Klos)
^The Lady Without Camelias (Michelangelo Antonioni)
Charulata (Satyajit Ray)
^The Wedding March (Erich von Stroheim)
Black Peter (Miloš Forman)
Thomas the Impostor (Georges Franju)
Identification Marks: None (Jerzy Skolimowski)
Walkover (Jerzy Skolimowski)
Shakespeare Wallah (James Ivory)
^Les Vampires (Louis Feuillade)
^Buster and Beckett [The Railrodder, Film, Seven Chances] (Gerald Potterton, Alan Schneider, Buster Keaton)
^Tribute to Bette Davis: Of Human Bondage (John Cromwell)
Sweet Substitute (Laurence L. Kent)
Six in Paris (Omnibus)
Le Petit Soldat (Jean-Luc Godard)
Gertrud (Carl Th. Dreyer)
Fists in the Pocket (Marco Bellocchio)
Sandra (Luchino Visconti)
The Koumiko Mystery (Chris Marker)@
Twilight of Empire (Kevin Billington)@
Not Reconciled (Jean-Marie Straub & Danièle Huillet)
*Red Beard (Kurosawa Akira)

4th (1966):
*Loves of a Blonde (Miloš Forman)
The War Game (Peter Watkins)%
Wholly Communion (Peter Whitehead)%
Hunger (Henning Carlsen)
^La commare secca (Bernardo Bertolucci)
The Eavesdropper (Leopoldo Torre Nilsson)
Au hasard Balthazar (Robert Bresson)
Les Créatures (Agnès Varda)
The Hawks and the Sparrows (Pier Paolo Pasolini)
^Accattone (Pier Paolo Pasolini)
Do You Keep a Lion at Home? (Pavel Hobl)
“The Scene” [Meet Marlon Brando, Notes for a Film on Jazz, Troublemakers] (David & Albert Maysles, Gianni Amico, Norman Fruchter & Robert Machover)
^The Burmese Harp (Ichikawa Kon)
^A Woman of Affairs (Clarence Brown)%
^The Cheat (Cecil B. DeMille)%
The Shameless Old Lady (René Allio)
Intimate Lighting (Ivan Passer)%
Three (Aleksandar Petrović)%
The Round-Up (Jancsó Miklós)
Masculin féminin (Jean-Luc Godard)
The Hunt (Carlos Saura)
Shadows of Forgotten Ancestors (Sergei Parajanov)
Pearls of the Deep (Omnibus)
Simon of the Desert (Luis Buñuel)%
The Man Who Had His Hair Cut Short (André Delvaux)%
^La Chienne (Jean Renoir) {canceled}
Pierrot le Fou (Jean-Luc Godard)
Almost a Man (Vittorio De Seta)
*The War Is Over (Alain Resnais)

5th (1967):
*The Battle of Algiers (Gillo Pontecorvo)
Hot Years (Dragoslav Lazić)
Yesterday Girl (Alexander Kluge)
Love Affair, or the Case of the Missing Switchboard Operator (Dušan Makavejev)
Le Départ (Jerzy Skolimowski)
^Napoléon (Abel Gance)
Funnyman (John Korty)
Hugs and Kisses (Jonas Cornell)
Young Törless (Volker Schlöndorff)
Samurai Rebellion (Kobayashi Masaki)
The Lion Hunters (Jean Rouch)%
Memorandum (Donald Brittain & John Spotton)%
The Taking of Power by Louis XIV (Roberto Rossellini)
Barrier (Jerzy Skolimowski)
“The London Scene” [Tonite Let’s All Make Love in London, Benefit of the Doubt] (Peter Whitehead)
^Les Carabiniers (Jean-Luc Godard)
Made in U.S.A (Jean-Luc Godard)
Father (Szabó István)
The Other One (René Allio)
Portrait of Jason (Shirley Clarke)
Elvira Madigan (Bo Widerberg)
^Applause (Rouben Mamoulian)%
^Show People (King Vidor)%
A Mother’s Heart (Mark Donskoy)
*Far From Vietnam (Jean-Luc Godard & Joris Ivens & William Klein & Claude Lelouch & Chris Marker & Alain Resnais & Agnès Varda)

6th (1968):
*Capricious Summer (Jiří Menzel)
^Toni (Jean Renoir)
The Immortal Story (Orson Welles)
Chronicle of Anna Magdalena Bach (Jean-Marie Straub & Danièle Huillet)
A Report on the Party and the Guests (Jan Němec)
The Red and the White (Jancsó Miklós)
Mouchette (Robert Bresson)
^L’Argent (Marcel L’Herbier)
The Nun (Jacques Rivette)
^Lola Montès (Max Ophuls)
Faces (John Cassavetes)
Tropics (Gianni Amico)
Partner. (Bernardo Bertolucci)
Kaja, I’ll Kill You! (Vatroslav Mimica)
24 Hours in the Life of a Woman (Dominique Delouche)
Signs of Life (Werner Herzog)
2 or 3 Things I Know About Her (Jean-Luc Godard)
Artists Under the Big Top: Perplexed (Alexander Kluge)
Les Biches (Claude Chabrol)
L’Enfance nue (Maurice Pialat)
Week-end (Jean-Luc Godard)
One Plus One (Jean-Luc Godard) {canceled}
Hugo and Josephine (Kjell Grede)
Beyond the Law (Norman Mailer)
Oratorio for Prague (Jan Němec)%
*The Firemen’s Ball (Miloš Forman)%

7th (1969):
*Bob & Carol & Ted & Alice (Paul Mazursky)
The Joke (Jaromil Jireš)
A Gentle Woman (Robert Bresson)
The Lady From Constantinople (Elek Judit)
The Rite (Ingmar Bergman)
Boy (Oshima Nagisa)
Ådalen 31 (Bo Widerberg)
The Epic That Never Was (Bill Duncalf)
Lions Love (Agnès Varda)
Pierre and Paul (René Allio)
^La Ronde (Max Ophuls)
My Night at Maud’s (Éric Rohmer)
^The Merry Widow (Erich von Stroheim)
Duet for Cannibals (Susan Sontag)
Destroy, She Said (Marguerite Duras)
Goto, Island of Love (Walerian Borowczyk)
^HE Who Gets Slapped (Victor Sjöstrom)
Le Gai Savoir (Jean-Luc Godard)
The Deserter and the Nomads (Juraj Jakubisko)
Porcile (Pier Paolo Pasolini)
Mandabi (Ousmane Sembène)
One Fine Day (Ermanno Olmi)
*Oh! What a Lovely War (Richard Attenborough)

8th (1970):
*The Wild Child (François Truffaut)
Wind From the East (Groupe Dziga Vertov and Jean-Luc Godard and Jean-Pierre Gorin)
Five Easy Pieces (Bob Rafelson)
Zorns Lemma (Hollis Frampton)@
Double Pisces, Scorpio Rising (Dick Fontaine)@
Othon (Jean-Marie Straub & Danièle Huillet)
Le Boucher (Claude Chabrol)
Comrades (Marin Karmitz)
^The Crucified Lovers (Mizoguchi Kenji)
Mistreatment (Lars Lennart Forsberg)
Kes (Ken Loach)
Street Scenes 1970 (Martin Scorsese)
Je t’aime, je t’aime (Alain Resnais)
The Inheritors (Carlos Diegues)
La Musica (Marguerite Duras & Paul Seban)
A Simple Story (Marcel Hanoun)
Even Dwarfs Started Small (Werner Herzog)
The Spider’s Stratagem (Bernardo Bertolucci)
Harry Munter (Kjell Grede)
The Garden of Delights (Carlos Saura)
The Conformist (Bernardo Bertolucci)
From Lumiere to Langlois: The French Silent Cinema (Henri Langlois)%
Langlois (Elia Hershon & Roberto Guerra)%
Days and Nights in the Forest (Satyajit Ray)
The Cannibals (Liliana Cavani)
Praise Marx and Pass the Ammunition (Maurice Hatton)
The Scavengers (Ermanno Olmi)
*Tristana (Luis Buñuel)

9th (1971):
*The Debut (Gleb Panfilov)
Family Life (Krzysztof Zanussi)
The Last Picture Show (Peter Bogdanovich)
In the Summertime (Ermanno Olmi)
The Decameron (Pier Paolo Pasolini)
Dodes’ka-den (Kurosawa Akira)
Directed by John Ford (Peter Bogdanovich)
Fata Morgana (Werner Herzog)
Four Nights of a Dreamer (Robert Bresson)
Pioneers in Ingolstadt (Rainer Werner Fassbinder)
Born to Win (Ivan Passer)
The Sorrow and the Pity (Marcel Ophuls)
Punishment Park (Peter Watkins)
In the Name of the Father (Marco Bellocchio)
W.R.: Mysteries of the Organism (Dušan Makavejev)
Bonaparte and the Revolution (Abel Gance)
A Safe Place (Henry Jaglom)
*Murmur of the Heart (Louis Malle)

10th (1972):
*Love in the Afternoon (Éric Rohmer)
Love (Makk Károly)
We Won’t Grow Old Together (Maurice Pialat)
Summer Soldiers (Teshigahara Hiroshi)
Red Psalm (Jancsó Miklós)%
Behind the Wall (Krzysztof Zanussi)%
A Sense of Loss (Marcel Ophuls)
Family Life (Ken Loach)
Reminiscences of a Journey to Lithuania (Jonas Mekas)@
Going Home (Adolfas Mekas)@
Heat (Paul Morrissey)
The Inner Scar (Philippe Garrel)
Nathalie Granger (Marguerite Duras)
The Adversary (Satyajit Ray)
Bad Company (Robert Benton)
The Merchant of Four Seasons (Rainer Werner Fassbinder)
Images (Robert Altman)
L’Amour fou (Jacques Rivette)
Tout va bien (Jean-Luc Godard & Jean-Pierre Gorin)
Two English Girls (François Truffaut)
The King of Marvin Gardens (Bob Rafelson)
The Assassination of Trotsky (Joseph Losey)
The Discreet Charm of the Bourgeoisie (Luis Buñuel)
*Last Tango in Paris (Bernardo Bertolucci)

11th (1973):
*Day for Night (François Truffaut)
Ritorno (Gianni Amico)
The Illumination (Krzysztof Zanussi)
Kid Blue (James Frawley)
History Lessons (Jean-Marie Straub & Danièle Huillet)%
Introduction to Arnold Schoenberg’s “Accompaniment to a Cinematographic Scene” (Jean-Marie Straub & Danièle Huillet)%
Réjeanne Padovani (Denys Arcand)
A Doll’s House (Joseph Losey)
Mean Streets (Martin Scorsese)
La Rupture (Claude Chabrol)
The Mother and the Whore (Jean Eustache)
Israel, Why (Claude Lanzmann)
Land of Silence and Darkness (Werner Herzog)
Just Before Nightfall (Claude Chabrol)
Andrei Rublev (Andrei Tarkovsky)
Distant Thunder (Satyajit Ray)
The Bitter Tears of Petra von Kant (Rainer Werner Fassbinder)
^Dr. Mabuse, the Gambler (Fritz Lang)
*Badlands (Terrence Malick)

12th (1974):
*Don’t Cry With Your Mouth Full (Pascal Thomas)
^Liebelei (Max Ophuls)
The Night of the Scarecrow (Sérgio Ricardo)
Lacombe Lucien (Louis Malle)
Stavisky… (Alain Resnais)
Lancelot du Lac (Robert Bresson)
Part-Time Work of a Domestic Slave (Alexander Kluge)%
The Bench of Desolation (Claude Chabrol)%
Rome Wants Another Caesar (Jancsó Miklós)
“Roots” [Yudie, Old-Fashioned Woman, From These Roots, Italianamerican] (Mirra Bank, Martha Coolidge, William Greaves, Martin Scorsese)
A Bigger Splash (Jack Hazan)
Out 1: Spectre (Jacques Rivette)
The Middle of the World (Alain Tanner)
Ali: Fear Eats the Soul (Rainer Werner Fassbinder)
^Les Enfants terribles (Jean-Pierre Melville)
Céline and Julie Go Boating (Jacques Rivette)
Alice in the Cities (Wim Wenders)
La Paloma (Daniel Schmid)
The Circumstance (Ermanno Olmi)
^Homage to Buñuel [L’Âge d’or, The Exterminating Angel, The Milky Way, The Discreet Charm of the Bourgeoisie] (Luis Buñuel)
A Woman Under the Influence (John Cassavetes)
*The Phantom of Liberty (Luis Buñuel)

13th (1975):
*Conversation Piece (Luchino Visconti)
^La Chienne (Jean Renoir)
Fox and His Friends (Rainer Werner Fassbinder)
Grey Gardens (David & Albert Maysles & Ellen Hovde & Muffie Meyer)
F for Fake (Orson Welles)
The Enigma of Kaspar Hauser (Werner Herzog)
Electra, My Love (Jancsó Miklós)
Black Moon (Louis Malle)
The Wonderful Crook (Claude Goretta)
Xala (Ousmane Sembène)
The Lost Honor of Katharina Blum (Volker Schlöndorff & Margarethe von Trotta)
Hearts of the West (Howard Zieff)
Moses and Aaron (Jean-Marie Straub & Danièle Huillet)
Autobiography of a Princess (James Ivory)@
Compañero: Victor Jara of Chile (Stanley Forman & Martin Smith)@
Exhibition (Jean-François Davy)
India Song (Marguerite Duras)
Milestones (Robert Kramer & John Douglas)
Smile (Michael Ritchie)
French Provincial (André Téchiné)
*The Story of Adèle H. (François Truffaut)

14th (1976):
*Small Change (François Truffaut)
^Ossessione (Luchino Visconti)
Jonah Who Will Be 25 in the Year 2000 (Alain Tanner)
In the Realm of the Senses (Oshima Nagisa) {replaced with The Ceremony (Oshima Nagisa)}
Kings of the Road (Wim Wenders)
Dersu Uzala (Kurosawa Akira)
The Memory of Justice (Marcel Ophuls)
Rites of Passage [Sunday Funnies, In the Region of Ice, Bernice Bobs Her Hair] (Ray Karp, Peter Werner, Joan Micklin Silver)
Illustrious Corpses (Francesco Rosi)
Story of Sin (Walerian Borowczyk)
Sérail (Eduardo de Gregorio)
Strongman Ferdinand (Alexander Kluge)
A Touch of Zen (King Hu)
The Middleman (Satyajit Ray)
Duelle (une quarantaine) (Jacques Rivette)
^Nana (Jean Renoir)
Fear of Fear (Rainer Werner Fassbinder)
Harlan County U.S.A. (Barbara Kopple)
*The Marquise of O… (Éric Rohmer)

15th (1977):
*One Sings, the Other Doesn’t (Agnès Varda)
^L’Enfant de Paris (Léonce Perret)
Tent of Miracles (Nelson Pereira dos Santos)
Men of Bronze (Bill Miles)@
Children of Labor (Noel Buckner & Mary Dore & Richard Broadman & Al Gedicks)@
The American Friend (Wim Wenders)
Padre Padrone (Paolo & Vittorio Taviani)
Pafnucio Santo (Rafael Corkidi)
Le Camion (Marguerite Duras)
Short Eyes (Robert M. Young)
The Devil, Probably (Robert Bresson)
Citizens Band (Jonathan Demme)
Saló, or the 120 Days of Sodom (Pier Paolo Pasolini)
Heart of Glass (Werner Herzog)%
La Soufrière (Werner Herzog)%
The Man Who Loved Women (François Truffaut)
Omar Gatlato (Merzak Allouache)
Roseland (James Ivory)
Hot Tomorrows (Martin Brest)@
^My Grandmother (Kote Mikaberidze)@
Women (Mészáros Márta)
The Lacemaker (Claude Goretta)
1900 (Bernardo Bertolucci)
*That Obscure Object of Desire (Luis Buñuel)

16th (1978):
*A Wedding (Robert Altman)
^Spies (Fritz Lang)
Skip Tracer (Zale Dalen)
The Green Room (François Truffaut)
Camouflage (Krzysztof Zanussi)
Bloodbrothers (Robert Mulligan)
“Styles of Radical Will” [They Are Their Own Gifts, CIA: Case Officer, With Babies and Banners: Story of the Women’s Emergency Brigade] (Lucille Rhodes & Margaret Murphy, Saul Landau, Lorraine Gray)
Newsfront (Phillip Noyce)
The Apple Game (Věra Chytilová)
Get Out Your Handkerchiefs (Bertrand Blier)
The Left-Handed Woman (Peter Handke)
Dossier 51 (Michel Deville)
Despair (Rainer Werner Fassbinder)
Like a Turtle on Its Back (Luc Béraud)
Gates of Heaven (Errol Morris)@
Manimals (Robin Lehman)@
Elective Affinities (Gianni Amico)
The Shout (Jerzy Skolimowski)
Perceval le Gallois (Éric Rohmer)
American Boy: A Profile of Steven Prince (Martin Scorsese)@
Movies Are My Life (Peter Hayden)@
^The Miracle of the Wolves (Raymond Bernard)
*Violette Nozière (Claude Chabrol)

17th (1979):
*La luna (Bernardo Bertolucci)
^The Golden Coach (Jean Renoir)
The Bugs Bunny/Road Runner Movie (Chuck Jones)
Black Jack (Ken Loach)
Wise Blood (John Huston)
Short Memory (Eduardo de Gregorio)
Angi Vera (Gabór Pál)
Nosferatu the Vampyre (Werner Herzog)
^Howard Hughes Presents… [Scarface, The Sin of Harold Diddlebock] (Howard Hawks, Preston Sturges)
The Europeans (James Ivory)
Molière (Ariane Mnouchkine)
Best Boy (Ira Wohl)
Other People’s Money (Christian de Chalonge)
Alexandria… Why? (Youssef Chahine)
My Brilliant Career (Gillian Armstrong)
A Scream From Silence (Anne Claire Poirier)
In a Year With 13 Moons (Rainer Werner Fassbinder)
Without Anesthesia (Andrzej Wajda)
The Wobblies (Stewart Bird & Deborah Shaffer)
The Maids of Wilko (Andrzej Wajda)
The Black Stallion (Carroll Ballard)
^Peeping Tom (Michael Powell)
*The Marriage of Maria Braun (Rainer Werner Fassbinder)

18th (1980):
*Melvin and Howard (Jonathan Demme)
The Handyman (Micheline Lanctôt)
Masoch (Franco Brogi Taviani)
The Life and Times of Rosie the Riveter (Connie Field)%
Quilts in Women’s Lives (Pat Ferrero)%
Bye Bye Brazil (Carlos Diegues)
The Conductor (Andrzej Wajda)
Special Treatment (Goran Paskaljević)
Confidence (Szabó István)
And Quiet Rolls the Dawn (Mrinal Sen)
Handicapped Love (Marlies Graf)@
Here’s looking at you, kid. (William Edgar Cohen)@
Sunday Daughters (Rózsa János)
Camera Buff (Krzysztof Kieślowski)
^Europa ’51 (Roberto Rossellini)
^The Martin Scorsese Color Show: Once Upon a Time in the West (Sergio Leone)
The Color of Pomegranates (Sergei Parajanov)
Kagemusha (Kurosawa Akira)
Every Man for Himself (Jean-Luc Godard)
Loulou (Maurice Pialat)
“Americana” [New York Story, Rush, Nights at O’Rear’s] (Jackie Raynal, Evelyn Purcell, Robert Mandel)
The Constant Factor (Krzysztof Zanussi)
^Tih-Minh (Louis Feuillade)
*The Last Metro (François Truffaut)

19th (1981):
*Chariots of Fire (Hugh Hudson)
^Bob le flambeur (Jean-Pierre Melville)
Lightning Over Water (Wim Wenders & Nicholas Ray)
Graduate First (Maurice Pialat)
The Witness (Peter Bacsó)
Soldier Girls (Nick Broomfield & Joan Churchill)@
The Last to Know (Bonnie Friedman)@
The Beads of One Rosary (Kazimierz Kutz)
Mephisto (Szabó István)
Resurgence: The Movement for Equality Versus the Ku Klux Klan (Tom Sigel & Pamela Yates)@
Tighten Your Belts, Bite the Bullet (James Gaffney & Martin Lucas & Jonathan Miller)@
Matti de slegare (Silvano Agosti & Marco Bellochio & Sandro Petraglia & Stefano Rulli)
The Mystery of Oberwald (Michelangelo Antonioni)
Mur murs (Agnès Varda)@
Documenteur (Agnès Varda)@
Taxi zum Klo (Frank Ripploh)
^Only a Mother (Alf Sjöberg)@
^Karin Mansdotter (Alf Sjöberg)@
Transes (Ahmed El Maanouni)
Contract (Krzysztof Zanussi)
We Were German Jews (Michael Blackwood)@
Hopper’s Silence (Brian O’Doherty)@
Passione D’Amore (Ettore Scola)
Looks and Smiles (Ken Loach)
The Aviator’s Wife (Éric Rohmer)
Le Pont du Nord (Jacques Rivette)
Vernon, Florida (Errol Morris)@
Stations of the Elevated (Manfred Kirchheimer)@
My Dinner With Andre (Louis Malle)
Beau-père (Bertrand Blier)
The Woman Next Door (François Truffaut)
*Man of Iron (Andrzej Wajda)

20th (1982):
*Veronika Voss (Rainer Werner Fassbinder)
The Stationmaster’s Wife (Rainer Werner Fassbinder)
^The Burning Brazier (Ivan Mozzhukhin)
Another Way (Makk Károly)
Eating Raoul (Paul Bartel)
Moonlighting (Jerzy Skolimowski)
^Madam Satan (Cecil B. DeMille)
^Description of a Struggle (Chris Marker)@
^Letter From Siberia (Chris Marker)@
Tex (Tim Hunter)
The Night of the Shooting Stars (Paolo & Vittorio Taviani)
City Lovers (Barney Simon)@
Coming of Age (Josh Hanig)@
Identification of a Women (Michelangelo Antonioni)
Vortex (Scott B & Beth B)
La Truite (Joseph Losey)
Little Wars (Maroun Baghdadi)
The Draughtsman’s Contract (Peter Greenaway)
The Tyrant’s Heart (Jancsó Miklós)
Koyaanisqatsi (Godfrey Reggio)
Say Amen, Somebody (George T. Nierenberg)
^The Light Ahead (Edgar G. Ulmer)
Yol (Yılmaz Güney)
Time Stands Still (Gothár Péter)
Dark Circle (Chris Beaver)
One Man’s War (Edgardo Cozarinsky)
Before the Nickelodeon (Charles Musser)%
Arshile Gorky (Charlotte Zwerin)%
Little People (Jan Krawitz & Thomas Ott)
*Fitzcarraldo (Werner Herzog)

21st (1983):
*The Big Chill (Lawrence Kasdan)
L’Argent (Robert Bresson)
The Story of Piera (Marco Ferreri)
The Wind (Souleymane Cissé)%
Reassemblage (Trinh T. Minh-ha)%
^La Signora di Tutti (Max Ophuls)
Forbidden Relations (Zsolt Kézdi-Kovács)
In the White City (Alain Tanner)
Boat People (Ann Hui)
Danton (Andrzej Wajda)
Life Is a Bed of Roses (Alain Resnais)
^Rear Window (Alfred Hitchcock)
Erendira (Ruy Guerra)
Lost Illusions (Gazdag Gyula)
Last Night at the Alamo (Eagle Pennell)%
Sifted Evidence (Patricia Gruben)%
The Eighties (Chantal Akerman)
Seeing Red (Julia Reichert & James Klein)
Red Love (Rosa von Praunheim)
^The New Babylon (Grigori Kozintsev & Leonid Trauberg)
Dhrupad (Mani Kaul)%
So Far From India (Mira Nair)%
Passion (Jean-Luc Godard)%
You the Better (Ericka Beckman)%
Nostalghia (Andrei Tarkovsky)
Heart Like a Wheel (Jonathan Kaplan)
Rumble Fish (Francis Ford Coppola)
Entre Nous (Diane Kurys)
Burroughs (Howard Brookner)%
The Secret Agent (Jacki Ochs)%
*Streamers (Robert Altman)

22nd (1984):
*Country (Richard Pearce)
^Becky Sharp (Rouben Mamoulian)
The Holy Innocents (Mario Camus)
America and Lewis Hine (Nina Rosenblum)%
Los Sures (Diego Echeverria)%
Stranger Than Paradise (Jim Jarmusch)
A Hill on the Dark Side of the Moon (Lennart Hjulström)
Diary for My Children (Meszáros Márta)
A Love in Germany (Andrzej Wajda)
A Sunday in the Country (Bertrand Tavernier)
Shivers (Wojciech Marczewski)
Walking, Walking (Ermanno Olmi)
Three Crowns of the Sailor (Raúl Ruiz)
A Flash of Green (Victor Nuñez)
Love on the Ground (Jacques Rivette)
Strikebound (Richard Lowenstein)
Class Relations (Jean-Marie Straub & Danièle Huillet)
The Times of Harvey Milk (Robert Epstein & Richard Schmiechen)
^Tokyo Olympiad (Ichikawa Kon)
Memoirs of Prison (Nelson Pereira dos Santos)
Man of Flowers (Paul Cox)
À nos amours (Maurice Pialat)
Blood Simple (Joel & Ethan Coen)
Once Upon a Time in America (Sergio Leone)
^Two English Girls (François Truffaut)
*Paris, Texas (Wim Wenders)

23rd (1985):
*Ran (Kurosawa Akira)
Steaming (Joseph Losey)
^Black Narcissus (Michael Powell & Emeric Pressburger)
Huey Long (Ken Burns)
When Father Was Away on Business (Emir Kusturica)
Oriana (Fina Torres)
Angry Harvest (Agnieszka Holland)
Sugarbaby (Percy Adlon)
Colonel Redl (Szabó István)
Himatsuri (Yanagimachi Mitsuo)
Bliss (Ray Lawrence)
No Man’s Land (Alain Tanner)
Renoir, the Boss (Jacques Rivette)@
Jean Cocteau – Self-Portrait of a Man Unknown (Edgardo Cozarinsky)@
^Seven Up! (Paul Almond)@
28 Up (Michael Apted)@
City of Pirates (Raúl Ruiz)
^Nothing Sacred (William Wellman)
Chain Letters (Mark Rappaport)
Private Conversations (Christian Blackwood)
Hail Mary (Jean-Luc Godard)
A Year of the Quiet Sun (Krzysztof Zanussi)
Les Temps Détruit (Pierre Beuchot)@
Harvest of Despair (Slavko Nowytski)@
The Satin Slipper (Manoel de Oliveira)
Boy Meets Girl (Leos Carax)
*Kaos (Paolo & Vittorio Taviani)

24th (1986):
*Down by Law (Jim Jarmusch)
Police (Maurice Pialat)
A Zed and Two Noughts (Peter Greenaway)
Directed by William Wyler (Aviva Slesin)@
^Dodsworth (William Wyler)@
Malandro (Ruy Guerra)
The Blind Director (Alexander Kluge)
Marlene (Maximilian Schell)
A Time To Live, A Time To Die (Hou Hsiao-hsien)
Cactus (Paul Cox)
L’Effrontée (Claude Miller)
Dancing in the Dark (Leon Marr)
The Sacrifice (Andrei Tarkovsky)
Scene of the Crime (André Téchiné)
The Decline of the American Empire (Denys Arcand)
^The Wedding March (Erich von Stroheim)
To Sleep So As To Dream (Hayashi Kaizō)
Isaac In America (Amram Nowak)@
International Sweethearts of Rhythm (Greta Schiller & Andrea Weiss)@
Round Midnight (Bertrand Tavernier)
No End (Krzysztof Kieślowski)
Tenue de soirée (Bertrand Blier)
Thérèse (Alain Cavalier)
Sid and Nancy (Alex Cox)
True Stories (David Byrne)
*Peggy Sue Got Married (Francis Ford Coppola)

25th (1987):
*Dark Eyes (Nikita Mikhalkov)
A Taxing Woman (Itami Juzo)
Diary for My Loved Ones (Mészáros Márta)
Radium City (Carole Langer)
Police Story (Jackie Chan)
A Month in the Country (Pat O’Connor)
^The Manchurian Candidate (John Frankenheimer)
The Theme (Gleb Panfilov)
Mauvais Sang (Leos Carax)
Barfly (Barbet Schroeder)%
Arena Brains (Robert Longo)%
The Belly of an Architect (Peter Greenaway)
Babette’s Feast (Gabriel Axel)
Anna (Yurek Bogayevicz)
Under the Sun of Satan (Maurice Pialat)
Anita – Dances of Vice (Rosa von Praunheim)
Hail! Hail! Rock ‘n’ Roll! (Taylor Hackford)
Mélo (Alain Resnais)
^Joan of Arc at the Stake (Roberto Rossellini)@
^The Human Voice (Jean Cocteau)@
Horowitz Plays Mozart (Albert Maysles & Susan Froemke & Charlotte Zwerin)%
Young at Heart (Sue Marx & Pam Conn)%
Yeelen (Souleymane Cissé)
Boyfriends and Girlfriends (Éric Rohmer)
Hope and Glory (John Boorman)
Fire From the Mountain (Deborah Shaffer)%
El Centerfielder (Ramiro Lacayo Deshon)%
*House of Games (David Mamet)

26th (1988):
*Women on the Verge of a Nervous Breakdown (Pedro Almodóvar)
Felix (Omnibus)
^Asya’s Happiness (Andrei Konchalovsky)
Mapantsula (Oliver Schmitz)
High Hopes (Mike Leigh)
La Maschera (Fiorella Infascelli)%
Sarah (Edgardo Cozarinsky)%
Bird (Clint Eastwood)
The Man With Three Coffins (Lee Jang-ho)
The Last of England (Derek Jarman)
Distant Voices, Still Lives (Terence Davies)
Ashik Kerib (Sergei Parajanov)
Daughter of the Nile (Hou Hsiao-hsien)
Pelle the Conqueror (Bille August)
Avant-Garde Voices [I…Dreaming, Marilyn’s Window, Lived in Quotes, Honor and Obey, Fake Fruit Factory] (Stan Brakhage, Stan Brakhage, Laurie Dunphy, Warren Sonbert, Chick Strand)
Opening Night (John Cassavetes)
A Winter Tan (Jackie Burroughs & Louise Clark & John Frizzell & John Walker & Aerlyn Weissman)
Jacob (Mircea Daneliuc)
36 Fillette (Catherine Breillat)
Golub (Jerry Blumenthal & Gordon Quinn)@
Falkenau (Emil Weiss)@
Hard Times (João Botelho)
Hotel Terminus: The Life and Times of Klaus Barbie (Marcel Ophuls)
Salaam Bombay! (Mira Nair)
^The Onset of an Unknown Age (Omnibus)
*Red Sorghum (Zhang Yimou)

27th (1989):
*Too Beautiful for You (Bertrand Blier)
A Short Film About Killing (Krzysztof Kieślowski)
The Plot Against Harry (Michael Roemer)
Strapless (David Hare)
My Left Foot (Jim Sheridan)
Ariel (Aki Kaurismäki)%
London Suite (Vivienne Dick)%
A Tale of the Wind (Joris Ivens & Marceline Loridan)%
Rain (Joris Ivens)%
Black Rain (Imamura Shohei)
Roger and Me (Michael Moore)
The Mahabharata (Peter Brook)
Mystery Train (Jim Jarmusch)
Speaking Parts (Atom Egoyan)%
Under the Sea (Paul Glabicki)%
Thelonious Monk: Straight, No Chaser (Charlotte Zwerin)
The Documentator (Dárday István & Szalai Györgyi)
Avant-Garde Visions [Mercy, Friendly Witness, Water and Power] (Abigail Child, Warren Sonbert, Pat O’Neill)
Looking for Langston (Isaac Julien)@
Book of Days (Meredith Monk)@
^Intolerance (D. W. Griffith)
Life and Nothing But (Bertrand Tavernier)
Confession: A Chronicle of Alienation (Georgi Gavrilov)
Yaaba (Idrissa Ouédraogo)
Monsieur Hire (Patrice Leconte)
A City of Sadness (Hou Hsiao-hsien)
Sweetie (Jane Campion)
Near Death (Frederick Wiseman)
Current Events (Ralph Arlyck)@
Dreams From China (Fred Marx)@
Dancing for Mr. B: Six Balanchine Ballerinas (Anna Belle & Deborah Dickson)
*Breaking In (Bill Forsyth)

28th (1990):
*Miller’s Crossing (Joel & Ethan Coen)
Freeze Die Come to Life (Vitali Kanevsky)
^L’Atalante (Jean Vigo)
Ju Dou (Zhang Yimou & Yang Fengliang)
King of New York (Abel Ferrara)
Doctor Petiot (Christian de Chalonge)%
The Space Between the Door and the Floor (Pauline Chan)%
Hang Up (Pauline Chan)%
Tilai (Idrissa Ouédraogo)
A Tale of Springtime (Éric Rohmer)
Privilege (Yvonne Rainer)
No, or the Vain Glory of Command (Manoel de Oliveira)
Open Doors (Gianni Amelio)
Night Sun (Paolo & Vittorio Taviani)
The Sting of Death (Oguri Kōhei)
Nouvelle Vague (Jean-Luc Godard)
The Golden Boat (Raúl Ruiz)
Siddheshwari (Mani Kaul)
Avant-Garde Visions [Pièce Touchée, Scenes From the Life of Andy Warhol, Sink or Swim] (Martin Arnold, Jonas Mekas, Su Friedrich)
A Woman’s Revenge (Jacques Doillon)
Taxi Blues (Pavel Lungin)
The Match Factory Girl (Aki Kaurismäki)%
That Burning Question (Alan Taylor)%
Listen Up: The Lives of Quincy Jones (Ellen Weissbrod & Courtney Sale Ross)
An Angel at My Table (Jane Campion)
I Hired a Contract Killer (Aki Kaurismäki)
Golden Braid (Paul Cox)%
Touch My Lips (Jim Garrard)%
To Sleep With Anger (Charles Burnett)
American Dream (Barbara Kopple)
*The Nasty Girl (Michael Verhoeven)

29th (1991):
*The Double Life of Veronique (Krzysztof Kieślowski)
Adam’s Rib (Vyacheslav Krishtofovich)
^Rocco and His Brothers (Luchino Visconti)
Amelia Lopes O’Neill (Valeria Sarmiento)%
Cairo as Told by Youssef Chahine (Youssef Chahine)%
Toto the Hero (Jaco van Dormael)
No Life King (Ichikawa Jun)
The Suspended Step of the Stork (Theo Angelopoulos)
Inventory (Krzysztof Zanussi)
The Other Eye (Johanna Heer & Werner Schmiedel)
Jacquot de Nantes (Agnès Varda)
The Adjuster (Atom Egoyan)
Woman of the Port (Arturo Ripstein)
My Own Private Idaho (Gus Van Sant)
^Une chambre en ville (Jacques Demy)
Prospero’s Books (Peter Greenaway)
Locked-Up Time (Sibylle Schönemann)
Beauty and the Beast (Gary Trousdale & Kirk Wise)
Life on a String (Chen Kaige)
The Rapture (Michael Tolkin)
Avant-Garde Visions [Flaming Creatures, The Making of “Monsters”, Opening the Nineteenth Century: 1896] (Jack Smith, John Greyson, Ken Jacobs)
La Belle Noiseuse (Jacques Rivette)
Intimate Stranger (Alan Berliner)@
The Body Beautiful (Ngozi Onwurah)@
Zombie and the Ghost Train (Mika Kaurismäki)%
Tender, Slender and Tall (Lesley Ellen)%
Night on Earth (Jim Jarmusch)
^Entranced Earth (Glauber Rocha)
Pictures From a Revolution (Susan Meiselas & Richard P. Rogers & Alfred Guzzetti)
Delicatessen (Jean-Pierre Jeunet & Marc Caro)
*Homicide (David Mamet)

30th (1992):
*Olivier, Olivier (Agnieszka Holland)
Life, and Nothing More… (Abbas Kiarostami)
Taking the Pulse [Seen From Elsewhere, A Sense of History, Pets or Meat] (Denys Arcand, Mike Leigh, Michael Moore)
Strictly Ballroom (Baz Luhrmann)
The Crying Game (Neil Jordan)
Autumn Moon (Clara Law)
Benny’s Video (Michael Haneke)
Léolo (Jean-Claude Lauzon)
Allah Tantou (David Achkar)@
Lumumba – Death of a Prophet (Raoul Peck)@
The Quince Tree Sun (Víctor Erice)
The Oak (Lucian Pintilie)
The Story of Qiu Ju (Zhang Yimou)
A Tale of Winter (Éric Rohmer)
Stone (Alexander Sokurov)
Hyenas (Djibril Diop Mambéty)
In the Soup (Alexandre Rockwell)
The Sentinel (Arnaud Desplechin)
Avant-Garde Visions [Side/Walk/Shuttle, John Five, Short Fuse] (Ernie Gehr, James Herbert, Warren Sonbert)
The Lovers on the Bridge (Leos Carax)
Careful (Guy Maddin)
Idiot (Mani Kaul)
Zebrahead (Anthony Drazan)
Man Bites Dog (Rémy Belvaux & André Bonzel & Benoit Poelvoorde)
La Vie de Bohème (Aki Kaurismäki)
Delivered Vacant (Nora Jacobsen)
*Night and the City (Irwin Winkler)

31st (1993):
*Short Cuts (Robert Altman)
^The Story of a Cheat (Sacha Guitry)
The Blue Kite (Tian Zhuangzhuang)
Shades of Doubt (Aline Issermann)
Raining Stones (Ken Loach)
The Night (Mohammad Malas)
Blue (Derek Jarman)
Avant-Garde Visions [Passage l’Acte, Poverties, Dottie Gets Spanked] (Martin Arnold, Laurie Dunphy, Todd Haynes)
Abraham’s Valley (Manoel de Oliveira)
The Puppetmaster (Hou Hsiao-hsien)
Ruby in Paradise (Victor Nuñez)
The Snapper (Stephen Frears)
Farewell My Concubine (Chen Kaige)
Wendemi (S. Pierre Yameogo)%
Untrue Stories (John Petrizelli & Cezary Jaworski)%
The Nightmare Before Christmas (Henry Selick)
Totally Fucked Up (Gregg Araki)
Aileen Wuornos: The Selling of a Serial Killer (Nick Broomfield)
The Scent of Green Papaya (Trần Anh Hùng)
Three Colors: Blue (Krzysztof Kieślowski)
The War Room (D. A. Pennebaker)
Fiorile (Paolo & Vittorio Taviani)
Birthplace (Paveł Łoziński)
The Wonderful, Horrible Life of Leni Riefenstahl (Ray Müller)
It’s All True: Based on an Unfinished Film by Orson Welles (Richard Wilson & Myron Meisel & Bill Krohn)
Naked (Mike Leigh)
Calendar (Atom Egoyan)%
Moving In (Chantal Akerman)%
*The Piano (Jane Campion)

32nd (1994):
*Pulp Fiction (Quentin Tarantino)
^Martha (Rainer Werner Fassbinder)
Exotica (Atom Egoyan)
Strawberry and Chocolate (Tomás Guitérrez Alea & Juan Carlos Tabío)
Ed Wood (Tim Burton)
Chungking Express (Wong Kar-wai)
Through the Olive Trees (Abbas Kiarostami)
Caro diario (Nanni Moretti)
Crumb (Terry Zwigoff)
Avant-Garde Visions [The Cloud Door, Whispering Pages] (Mani Kaul, Alexander Sokurov)
Cold Water (Olivier Assayas)
Amateur (Hal Hartley)
To Live (Zhang Yimou)
The Silences of the Palace (Moufida Tlatli)
A Confucian Confusion (Edward Yang)
*Bullets Over Broadway (Woody Allen)
Theremin: An Electronic Odyssey (Steven M. Martin)
See How They Fall (Jacques Audiard)%
^A Pair of Boots (John Cassavetes)%
To the Starry Island (Park Kwang-su)
Three Colors: Red (Krzysztof Kieślowski)
The Red Lotus Society (Stan Lai)
The Troubles We’ve Seen (Marcel Ophuls)
Ladybird, Ladybird (Ken Loach)
Wild Reeds (André Téchiné)
Postcards From America (Steve McLean)%
The Salesman and Other Adventures (Hannah Weyer)%
Sátántangó (Tarr Béla)
*Hoop Dreams (Steve James)

33rd (1995):
*Shanghai Triad (Zhang Yimou)
The White Balloon (Jafar Panahi)
^“Discovering Max Linder” (Max Linder)
Georgia (Ulu Grosbard)
Dead Presidents (Albert & Allen Hughes)
Flamenco (Carlos Saura)
Sixteen Oh Sixty (Vinicius Mainardi)
The Neon Bible (Terence Davies)
Kicking and Screaming (Noah Baumbach)
Lamerica (Gianni Amelio)
Flirt (Hal Hartley)
Land and Freedom (Ken Loach)
Good Men, Good Women (Hou Hsiao-hsien)
Guimba the Tyrant (Cheick Oumar Sissoko)
*Strange Days (Kathryn Bigelow)
The Convent (Manoel de Oliveira)
Fortune Smiles [Le Franc, Augustin] (Djibril Diop Mambéty, Anne Fontaine)
The Son of Gascogne (Pascal Aubier)
Cinema of Unease (Sam Neill & Judy Rymer)@
Citizen Langlois (Edgardo Cozarinsky)@
Avant-Garde Visions [Alpsee, Zone, River Colors] (Matthias Müller, Ito Takashi, Christoph Janetzko)
From the Journals of Jean Seberg (Mark Rappaport)@
Joy Street (Suzan Pitt)@
Cyclo (Trần Anh Hùng)
La Haine (Mathieu Kassovitz)
The Celluloid Closet (Rob Epstein & Jeffrey Friedman)
The Flower of My Secret (Pedro Almodóvar)
The Gate of Heavenly Peace (Carma Hinton & Richard Gordon)
^Rome, Open City (Roberto Rossellini)
^Paisan (Roberto Rossellini)
^Germany Year Zero (Roberto Rossellini)
*Carrington (Christopher Hampton)

34th (1996):
*Secrets & Lies (Mike Leigh)
Hi Cousin! (Merzak Allouache)
Irma Vep (Olivier Assayas)
Beyond the Clouds (Michelangelo Antonioni & Wim Wenders)
Sling Blade (Billy Bob Thornton)
Le Garçu (Maurice Pialat)
A Self-Made Hero (Jacques Audiard)
Goodbye South, Goodbye (Hou Hsiao-hsien)
Fire (Deepa Mehta)
Illtown (Nick Gomez)
My Sex Life… or How I Got Into an Argument (Arnaud Desplechin)
Breaking the Waves (Lars von Trier)
Suzanne Farrell: Elusive Muse (Anne Belle & Deborah Dickson)
Temptress Moon (Chen Kaige)
*Thieves (André Téchiné)
La Promesse (Jean-Pierre & Luc Dardenne)
Mahjong (Edward Yang)
Nobody’s Business (Alan Berliner)%
Trofim (Alexei Balabanov)%
Emigration, N.Y. (Egon Humer)
Three Lives and Only One Death (Raúl Ruiz)
Culture Shock [Frantz Fanon: Black Skin, White Mask, Umm Kulthum: A Voice Like Egypt] (Isaac Julien, Michal Goldman)
Gabbeh (Mohsen Makhmalbaf)
Lilies (John Greyson)
SubUrbia (Richard Linklater)
Mandela (Jo Menell & Agnus Gibson)
Underground (Emir Kusturica)
*The People vs. Larry Flynt (Miloš Forman)

35th (1997):
*The Ice Storm (Ang Lee)
^The Saragossa Manuscript (Wojciech Has)
Mother and Son (Alexander Sokurov)
Post Coitum, Animal Triste (Brigitte Roüan)
Love and Death on Long Island (Richard Kwietniowski)
Taste of Cherry (Abbas Kiarostami)%
^The House Is Black (Forugh Farrokhzad)%
Hana-bi (Kitano Takeshi)
From Today Until Tomorrow (Jean-Marie Straub & Danièle Huillet)
Fast, Cheap & Out of Control (Errol Morris)%
Whiplash (Warren Sonbert)%
Martín (Hache) (Adolfo Aristarain)
Kitchen (Yim Ho)
Kiss or Kill (Bill Bennett)
Ma vie en rose (Alain Berliner)
Washington Square (Agnieszka Holland)
Public Housing (Frederick Wiseman)
Destiny (Youssef Chahine)
*The Sweet Hereafter (Atom Egoyan)
Voyage to the Beginning of the World (Manoel de Oliveira)
Deep Crimson (Arturo Ripstein)
Fallen Angels (Wong Kar-wai)
Boogie Nights (Paul Thomas Anderson)
La Vie de Jésus (Bruno Dumont)
Telling Lies in America (Guy Ferland)
The Apostle (Robert Duvall)
Happy Together (Wong Kar-wai)
*Live Flesh (Pedro Almodóvar)

36th (1998):
*Celebrity (Woody Allen)
^The Joyless Street (G.W. Pabst)
You Laugh (Paolo & Vittorio Taviani)
Gods and Monsters (Bill Condon)
Same Old Song (Alain Resnais)
I Stand Alone (Gaspar Noé)
Dr. Akagi (Imamura Shohei)
Khrustalyov, My Car! (Aleksei German)
The Apple (Samira Makhmalbaf)
My Name Is Joe (Ken Loach)
Velvet Goldmine (Todd Haynes)
A Tale of Autumn (Éric Rohmer)
The General (John Boorman)
^Point Blank (John Boorman)
Slam (Marc Levin)
*Black Cat, White Cat (Emir Kusturica)
Flowers of Shanghai (Hou Hsiao-hsien)
Late August, Early September (Olivier Assayas)
The Celebration (Thomas Vinterberg)
The Inheritors (Stefan Ruzowitzky)
Happiness (Todd Solondz)
Rushmore (Wes Anderson)
River of Gold (Paulo Rocha)
The Book of Life (Hal Hartley)@
Life on Earth (Abderrahmane Sissako)@
*The Dreamlife of Angels (Érick Zonca)

37th (1999):
*All About My Mother (Pedro Almodóvar)
^The Edge of the World (Michael Powell)
The Color of Heaven (Majid Majidi)
Rien sur Robert (Pascal Bonitzer)
The Carriers Are Waiting (Benoit Mariage)
License to Live (Kurosawa Kiyoshi)
Sicilia! (Jean-Marie Straub & Danièle Huillet)
Princess Mononoke (Miyazaki Hayao)
The Letter (Manoel de Oliveira)
Beau Travail (Claire Denis)
Julien Donkey-Boy (Harmony Korine)
Time Regained (Raúl Ruiz)
Boys Don’t Cry (Kimberly Pierce)
Being John Malkovich (Spike Jonze)
*Topsy-Turvy (Mike Leigh)
Juha (Aki Kaurismäki)
Pripyat (Nikolaus Geyrhalter)
Rosetta (Jean-Pierre & Luc Dardenne)
Dogma (Kevin Smith)
Pola X (Leos Carax)
Set Me Free (Léa Pool)
The Other (Youssef Chahine)
The Woman Chaser (Robinson Devor)
Holy Smoke (Jane Campion)
Mobutu, King of Zaire (Thierry Michel)
*Felicia’s Journey (Atom Egoyan)

38th (2000):
*Dancer in the Dark (Lars von Trier)
Chunhyang (Im Kwon-taek)
Boesman and Lena (John Berry)
The House of Mirth (Terence Davies)
Krapp’s Last Tape (Atom Egoyan)@
Not I (Neil Jordan)@
Comedy of Innocence (Raúl Ruiz)
The Circle (Jafar Panahi)
Brother (Kitano Takeshi)
Faithless (Liv Ullmann)
George Washington (David Gordon Green)
Gohatto (Oshima Nagisa)
Smell of Camphor, Fragrance of Jasmine (Bahman Farmanara)
^Seven Men From Now (Budd Boetticher)
*Pollock (Ed Harris)
The Gleaners and I (Agnès Varda)
In the Mood for Love (Wong Kar-wai)
Yi Yi (Edward Yang)
Kippur (Amos Gitai)
Amores perros (Alejandro González Iñárritu)
Before Night Falls (Julian Schnabel)
The Taste of Others (Agnès Jaoui)
Eureka (Aoyama Shinji)
Chronically Unfeasible (Sergio Bianchi)
Platform (Jia Zhangke)
*Crouching Tiger, Hidden Dragon (Ang Lee)

39th (2001):
*Va savoir (Jacques Rivette)
What Time Is It There? (Tsai Ming-liang)
I’m Going Home (Manoel de Oliveira)
Warm Water Under a Red Bridge (Imamura Shohei)
Storytelling (Todd Solondz)
Men At Work [La libertad, That Old Dream That Moves] (Lisandro Alonso, Alain Guiraudie)
La Ciénaga (Lucrecia Martel)
Italian for Beginners (Lone Scherfig)
Time Out (Laurent Cantet)
^The Night of the Hunter (Charles Laughton)
The Royal Tenenbaums (Wes Anderson)
The Lady and the Duke (Éric Rohmer)
Silence, We’re Rolling (Youssef Chahine)
Y tu mamá también (Alfonso Cuarón)
*Mulholland Drive (David Lynch)
Fat Girl (Catherine Breillat)
Baran (Majid Majidi)
Deep Breath (Damian Odoul)
Sobibor, October 14, 1943, 4 PM (Claude Lanzmann)
Intimacy (Patrice Chéreau)
Waking Life (Richard Linklater)
The Son’s Room (Nanni Moretti)
All About Lily Chou-Chou (Iwai Shunji)
*In Praise of Love (Jean-Luc Godard)

40th (2002):
*About Schmidt (Alexander Payne)
The Son (Jean-Pierre & Luc Dardenne)
Russian Ark (Alexander Sokurov)
Chihwaseon (Im Kwon-taek)
The Magdalene Sisters (Peter Mullan)
Ten (Abbas Kiarostami)
Unknown Pleasures (Jia Zhangke)
The Uncertainty Principle (Manoel de Oliveira)
Bloody Sunday (Paul Greengrass)
The Man Without a Past (Aki Kaurismäki)
My Mother’s Smile (Marco Bellocchio)
Auto Focus (Paul Schrader)
Springtime in a Small Town (Tian Zhuangzhuang)
*Punch-Drunk Love (Paul Thomas Anderson)
On the Occasion of Remembering the Turning Gate (Hong Sang-soo)
Waiting for Happiness (Abderrahmane Sissako)
Divine Intervention (Elia Suleiman)
Safe Conduct (Bertrand Tavernier)
Blind Spot: Hitler’s Secretary (André Heller & Othmar Schmiderer)
Friday Night (Claire Denis)
Monday Morning (Otar Iosseliani)
Love and Diane (Jennifer Dworkin)
To Be and to Have (Nicolas Philibert)
*Talk to Her (Pedro Almodóvar)

41st (2003):
*Mystic River (Clint Eastwood)
^Piccadilly (E.A. Dupont)
A Thousand Months (Faouzi Bensaïdi)
Dogville (Lars von Trier)
S21: The Khmer Rouge Killing Machine (Panh Rithy)
Mansion by the Lake (Lester James Peries)
Pornography (Jan Jakub Kolski)
Young Adam (David Mackenzie)
The Flower of Evil (Claude Chabrol)
Good Morning, Night (Marco Bellocchio)
Elephant (Gus Van Sant)
*The Fog of War (Errol Morris)
Free Radicals (Barbara Albert)
Bright Leaves (Ross McElwee)
Since Otar Left (Julie Bertuccelli)
Crimson Gold (Jafar Panahi)
Goodbye, Dragon Inn (Tsai Ming-liang)
Distant (Nuri Bilge Ceylan)
PTU (Johnnie To)
Raja (Jacques Doillon)
The Barbarian Invasions (Denys Arcand)
Mayor of the Sunset Strip (George Hickenlooper)
*21 Grams (Alejandro González Iñárritu)

42nd (2004):
*Look at Me (Agnès Jaoui)
^The Big Red One: The Reconstruction (Samuel Fuller)
Triple Agent (Éric Rohmer)
Tropical Malady (Apichatpong Weerasethakul)
Undertow (David Gordon Green)
Notre musique (Jean-Luc Godard)
In the Battlefields (Danielle Arbid)
Or (My Treasure) (Keren Yedaya)
Tarnation (Jonathan Caouette)
Kings and Queen (Arnaud Desplechin)
Woman Is the Future of Man (Hong Sang-soo)
Vera Drake (Mike Leigh)
The 10th District Court: Moments of Trial (Raymond Depardon)
*Bad Education (Pedro Almodóvar)
House of Flying Daggers (Zhang Yimou)
The Holy Girl (Lucrecia Martel)
Rolling Family (Pablo Trapero)
The World (Jia Zhangke)
Moolaadé (Ousmane Sembène)
Keane (Lodge Kerrigan)
Saraband (Ingmar Bergman)
Palindromes (Todd Solondz)
The Gate of the Sun (Yousry Nasrallah)
Café Lumière (Hou Hsiao-hsien)
*Sideways (Alexander Payne)

43rd (2005):
*Good Night, and Good Luck. (George Clooney)
Regular Lovers (Philippe Garrel)
The Death of Mr. Lăzărescu (Cristi Puiu)
Methadonia (Michel Negroponte)
The Child (Jean-Pierre & Luc Dardenne)
Avenge But One of My Two Eyes (Avi Mograbi)
Bubble (Steven Soderbergh)
The Squid and the Whale (Noah Baumbach)
I Am (Dorota Kędzierzawska)
Capote (Bennett Miller)
Something Like Happiness (Bohdan Sláma)
Lady Vengeance (Park Chan-wook)
Manderlay (Lars von Trier)
Tale of Cinema (Hong Sang-soo)
*Breakfast on Pluto (Neil Jordan)
Through the Forest (Jean Paul Civeyrac)
The President’s Last Bang (Im Sang-soo)
Who’s Camus Anyway? (Yanagimachi Mitsuo)
Three Times (Hou Hsiao-hsien)
Paradise Now (Hany Abu-Assad)
A Cock and Bull Story (Michael Winterbottom)
Gabrielle (Patrice Chéreau)
The Sun (Alexander Sokurov)
^The Passenger (Michelangelo Antonioni)
*Caché (Michael Haneke)

44th (2006):
*The Queen (Stephen Frears)
^Mafioso (Alberto Lattuada)
The Go Master (Tian Zhuangzhuang)
Woman on the Beach (Hong Sang-soo)
Little Children (Todd Field)
August Days (Marc Recha)
Bamako (Abderrahmane Sissako)
Gardens in Autumn (Otar Iosseliani)
^Reds (Warren Beatty)
49 Up (Michael Apted)
Belle Toujours (Manoel de Oliveira)
Private Fears in Public Places (Alain Resnais)
Offside (Jafar Panahi)
Paprika (Kon Satoshi)
Syndromes and a Century (Apichatpong Weerasethakul)
*Volver (Pedro Almodóvar)
The Host (Bong Joon-ho)
The Journals of Knud Rasmussen (Zacharias Kunuk & Norman Cohn)
INLAND EMPIRE (David Lynch)
Falling (Barbara Albert)
Election 2 (Johnnie To)
Our Daily Bread (Nikolaus Geyrhalter)
These Girls (Tahani Rached)
Climates (Nuri Bilge Ceylan)
Poison Friends (Emmanuel Bourdieu)
Marie Antoinette (Sofia Coppola)
^Insiang (Lino Brocka)
*Pan’s Labyrinth (Guillermo Del Toro)

45th (2007):
*The Darjeeling Limited (Wes Anderson)
The Romance of Astrée and Céladon (Éric Rohmer)
4 Months, 3 Weeks and 2 Days (Cristian Mungiu)
Married Life (Ira Sachs)
The Diving Bell and the Butterfly (Julian Schnabel)
^Blade Runner: The Final Cut (Ridley Scott)
The Orphanage (J. A. Bayona)
The Man From London (Tarr Béla and Hranitzky Ágnes)
Secret Sunshine (Lee Chang-dong)
Silent Light (Carlos Reygadas)
Alexandra (Alexander Sokurov)
I’m Not There (Todd Haynes)
Go Go Tales (Abel Ferrara)
In the City of Sylvia (José Luis Guerín)
The Axe in the Attic (Ed Pincus & Lucia Small)
*No Country for Old Men (Joel & Ethan Coen)
Flight of the Red Balloon (Hou Hsiao-hsien)
Margot at the Wedding (Noah Baumbach)
The Last Mistress (Catherine Breillat)
Paranoid Park (Gus Van Sant)
I Just Didn’t Do It (Suo Masayuki)
Redacted (Brian De Palma)
Actresses (Valeria Bruni Tedeschi)
Before the Devil Knows You’re Dead (Sidney Lumet)
A Girl Cut in Two (Claude Chabrol)
Useless (Jia Zhangke)%
Franz Kafka’s A Country Doctor (Yamamura Koji)%
Mr. Warmth: The Don Rickles Project (John Landis)
Calle Santa Fe (Carmen Castillo)
*Persepolis (Marjane Satrapi & Vincent Paronnaud)

46th (2008):
*The Class (Laurent Cantet)
Hunger (Steve McQueen)
24 City (Jia Zhangke)
Happy-Go-Lucky (Mike Leigh)
Wendy and Lucy (Kelly Reichardt)
I’m Gonna Explode (Gerardo Naranjo)
Tony Manero (Pablo Larraín)
The Northern Land (João Botelho)
Summer Hours (Olivier Assayas)
Waltz With Bashir (Ari Folman)
Gomorrah (Matteo Garrone)
Four Nights With Anna (Jerzy Skolimowski)
^Lola Montès (Max Ophuls)
Night and Day (Hong Sang-soo)
^Ashes of Time Redux (Wong Kar-wai)
*Changeling (Clint Eastwood)
The Windmill Movie (Alexander Olch)
Afterschool (Antonio Campos)
The Headless Woman (Lucrecia Martel)
Che (Steven Soderbergh)
Tokyo Sonata (Kurosawa Kiyoshi)
Tulpan (Sergey Dvortsevoy)
A Christmas Tale (Arnaud Desplechin)
Let It Rain (Agnès Jaoui)
Chouga (Darezhan Omirbaev)
Bullet in the Head (Jaime Rosales)
Serbis (Brillante Mendoza)
*The Wrestler (Darren Aronofsky)

47th (2009):
*Wild Grass (Alain Resnais)
^The Wizard of Oz (Victor Fleming)
Sweetgrass (Ilisa Barbash & Lucien Castaing-Taylor)
Eccentricities of a Blonde-Haired Girl (Manoel de Oliveira)
Vincere (Marco Bellocchio)
Kanikosen (Sabu)
Ghost Town (Zhao Dayong)
Police, Adjective (Corneliu Porumboiu)
The Art of the Steal (Don Argott)
A Room and a Half (Andrey Khrzhanovsky)
To Die Like a Man (João Pedro Rodrigues)
Lebanon (Samuel Maoz)
Trash Humpers (Harmony Korine)
Sweet Rush (Andrzej Wajda)
Antichrist (Lars von Trier)
*Precious: Based on the Novel “Push” by Sapphire (Lee Daniels)
Henri-Georges Clouzot’s Inferno (Serge Bromberg & Ruxandra Medrea)
Independencia (Raya Martin)
Hadewijch (Bruno Dumont)
Everyone Else (Maren Ade)
Min Yè… (Tell Me Who You Are…) (Souleymane Cissé)
The White Ribbon (Michael Haneke)
Around a Small Mountain (Jacques Rivette)
Ne change rien (Pedro Costa)
Mother (Bong Joon-ho)
White Material (Claire Denis)
Life During Wartime (Todd Solondz)
Bluebeard (Catherine Breillat)
*Broken Embraces (Pedro Almodóvar)

48th (2010):
*The Social Network (David Fincher)
Poetry (Lee Chang-dong)
Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul)
Of Gods and Men (Xavier Beauvois)
LENNONYC (Michael Epstein)
Film Socialisme (Jean-Luc Godard)
Robinson in Ruins (Patrick Keiller)
Le quattro volte (Michelangelo Frammartino)
The Robber (Benjamin Heisenberg)
Tuesday, After Christmas (Radu Muntean)
Silent Souls (Aleksey Fedorchenko)
Oki’s Movie (Hong Sang-soo)
My Joy (Sergei Loznitsa)
Inside Job (Charles Ferguson)
Certified Copy (Abbas Kiarostami)
Carlos (Olivier Assayas)
*The Tempest (Julie Taymor)
Aurora (Cristi Puiu)
The Strange Case of Angelica (Manoel de Oliveira)
Post Mortem (Pablo Larraín)
Another Year (Mike Leigh)
Black Venus (Abdellatif Kechiche)
We Are What We Are (Jorge Michel Grau)
Meek’s Cutoff (Kelly Reichardt)
Old Cats (Sebastián Silva & Pedro Peirano)
Revolución (Omnibus)
Mysteries of Lisbon (Raúl Ruiz)
*Hereafter (Clint Eastwood)

49th (2011):
*Carnage (Roman Polański)
The Loneliest Planet (Julia Loktev)
A Separation (Asghar Farhadi)
Miss Bala (Gerardo Naranjo)
Le Havre (Aki Kaurismäki)
Melancholia (Lars von Trier)
Corpo celeste (Alice Rohrwacher)
George Harrison: Living in the Material World (Martin Scorsese)
A Dangerous Method (David Cronenberg)
The Kid With a Bike (Jean-Pierre & Luc Dardenne)
The Student (Santiago Mitre)
Sleeping Sickness (Ulrich Köhler)
Once Upon a Time in Anatolia (Nuri Bilge Ceylan)
4:44: Last Day on Earth (Abel Ferrara)
Shame (Steve McQueen)
The Turin Horse (Tarr Béla and Hranitzky Ágnes)
*My Week With Marilyn (Simon Curtis)
Footnote (Joseph Cedar)
Martha Marcy May Marlene (Sean Durkin)
The Skin I Live In (Pedro Almodóvar)
This Is Not a Film (Jafar Panahi & Mojtaba Mirtahmasb)
The Artist (Michel Hazanavicius)
Goodbye First Love (Mia Hansen-Løve)
Play (Ruben Östlund)
Pina (Wim Wenders)
Policeman (Nadav Lapid)
*The Descendants (Alexander Payne)

50th (2012):
*Life of Pi (Ang Lee)
Here and There (Antonio Méndez Esparza)
Camille Rewinds (Noémie Lvovsky)
Caesar Must Die (Paolo & Vittorio Taviani)
Passion (Brian De Palma)
Hyde Park on Hudson (Roger Michell)
Frances Ha (Noah Baumbach)
Barbara (Christian Petzold)
Beyond the Hills (Cristian Mungiu)
You Ain’t Seen Nothin’ Yet (Alain Resnais)
The Paperboy (Lee Daniels)
Araf – Somewhere in Between (Yeşim Ustaoǧlu)
Like Someone in Love (Abbas Kiarostami)
Amour (Michael Haneke)
Something in the Air (Olivier Assayas)
*Not Fade Away (David Chase)
Memories Look at Me (Song Fang)
Bwakaw (Jun Robles Lana)
Night Across the Street (Raúl Ruiz)
Lines of Wellington (Valeria Sarmiento)
Ginger and Rosa (Sally Potter)
The Gatekeepers (Dror Moreh)
Fill the Void (Rama Burshtein)
First Cousin Once Removed (Alan Berliner)
Tabu (Miguel Gomes)
Holy Motors (Leos Carax)
Kinshasa Kids (Marc-Henri Wajnberg)
The Dead Man and Being Happy (Javier Rebollo)
Our Children (Joachim Lafosse)
No (Pablo Larraín)
The Last Time I Saw Macao (João Pedro Rodrigues & João Rui Guerra da Mata)
Leviathan (Lucien Castaing-Taylor & Véréna Paravel)
*Flight (Robert Zemeckis)

51st (2013):
*Captain Phillips (Paul Greengrass)
The Wind Rises (Miyazaki Hayao)
Alan Partridge: Alpha Papa (Declan Lowney)
At Berkeley (Frederick Wiseman)
A Touch of Sin (Jia Zhangke)
Inside Llewyn Davis (Joel & Ethan Coen)
Norte, the End of History (Lav Diaz)
The Last of the Unjust (Claude Lanzmann)
Le Week-End (Roger Michell)
Nobody’s Daughter Haewon (Hong Sang-soo)
Child of God (James Franco)
Like Father, Like Son (Koreeda Hirokazu)
The Missing Picture (Panh Rithy)
Stranger by the Lake (Alain Guiraudie)
When Evening Falls on Bucharest or Metabolism (Corneliu Porumboiu)
About Time (Richard Curtis)
Jimmy P: Psychotherapy of a Plains Indian (Arnaud Desplechin)
Jealousy (Philippe Garrel)
The Square (Jehane Noujaim)
Stray Dogs (Tsai Ming-liang)
Burning Bush (Agnieszka Holland)
American Promise (Joe Brewster & Michèle Stephenson)
*The Secret Life of Walter Mitty (Ben Stiller)
The Immigrant (James Gray)
Gloria (Sebastián Lelio)
Abuse of Weakness (Catherine Breillat)
Bastards (Claire Denis)
Real (Kurosawa Kiyoshi)
My Name Is Hmmm… (Agnès B.)
Nebraska (Alexander Payne)
The Invisible Woman (Ralph Fiennes)
Only Lovers Left Alive (Jim Jarmusch)
All Is Lost (J. C. Chandor)
Omar (Hany Abu-Assad)
Blue Is the Warmest Color (Abdellatif Kechiche)
*Her (Spike Jonze)

52nd (2014):
*Gone Girl (David Fincher)
Misunderstood (Asia Argento)
La Sapienza (Eugène Green)
’71 (Yann Demange)
Maps to the Stars (David Cronenberg)
Goodbye to Language (Jean-Luc Godard)
Whiplash (Damien Chazelle)
Two Shots Fired (Martín Rejtman)
The Blue Room (Mathieu Amalric)
Hill of Freedom (Hong Sang-soo)
Beloved Sisters (Dominik Graf)
Saint Laurent (Bertrand Bonello)
Timbuktu (Abderrahmane Sissako)
Pasolini (Abel Ferrara)
Heaven Knows What (Josh & Benny Safdie)
The Wonders (Alice Rohrwacher)
Mr. Turner (Mike Leigh)
*Inherent Vice (Paul Thomas Anderson)
The Princess of France (Matías Piñeiro)
Two Days, One Night (Jean-Pierre & Luc Dardenne)
Time Out of Mind (Oren Moverman)
Eden (Mia Hansen-Løve)
Tales of the Grim Sleeper (Nick Broomfield)
Horse Money (Pedro Costa)
Jauja (Lisandro Alonso)
Clouds of Sils Maria (Olivier Assayas)
Listen Up Philip (Alex Ross Perry)
Citizenfour (Laura Poitras)
Foxcatcher (Bennett Miller)
Life of Riley (Alain Resnais)
*Birdman, or (The Unexpected Virtue of Ignorance) (Alejandro González Iñárritu)

53rd (2015):
*The Walk (Robert Zemeckis)
Mia madre (Nanni Moretti)
The Lobster (Yorgos Lanthimos)
Mountains May Depart (Jia Zhangke)
The Forbidden Room (Guy Maddin and Evan Johnson)
Journey to the Shore (Kurosawa Kiyoshi)
Arabian Nights (Miguel Gomes)
Cemetery of Splendor (Apichatpong Weerasethakul)
Les Cowboys (Thomas Bidegain)
My Golden Days (Arnaud Desplechin)
Where to Invade Next (Michael Moore)
*Steve Jobs (Danny Boyle)
Microbe & Gasoline (Michel Gondry)
Don’t Blink – Robert Frank (Laura Israel)
Bridge of Spies (Steven Spielberg)
Maggie’s Plan (Rebecca Miller)
In the Shadow of Women (Philippe Garrel)
Experimenter (Michael Almereyda)
No Home Movie (Chantal Akerman)
The Measure of a Man (Stéphane Brizé)
Brooklyn (John Crowley)
The Treasure (Corneliu Porumboiu)
Carol (Todd Haynes)
Right Now, Wrong Then (Hong Sang-soo)
The Assassin (Hou Hsiao-hsien)
*Miles Ahead (Don Cheadle)

54th (2016):
*13th (Ava DuVernay)
I, Daniel Blake (Ken Loach)
Manchester by the Sea (Kenneth Lonergan)
Toni Erdmann (Maren Ade)
Moonlight (Barry Jenkins)
Paterson (Jim Jarmusch)
Certain Women (Kelly Reichardt)
Neruda (Pablo Larraín)
The Rehearsal (Alison Maclean)
Julieta (Pedro Almodóvar)
Fire at Sea (Gianfranco Rosi)
Personal Shopper (Olivier Assayas)
Yourself and Yours (Hong Sang-soo)
*20th Century Women (Mike Mills)
Sieranevada (Cristi Puiu)
The Son of Joseph (Eugéne Green)
Aquarius (Kleber Mendonça Filho)
Hermia & Helena (Matías Piñeiro)
My Entire High School Sinking Into the Sea (Dash Shaw)
Graduation (Cristian Mungiu)
Staying Vertical (Alain Guiraudie)
The Unknown Girl (Jean-Pierre & Luc Dardenne)
Things to Come (Mia Hansen-Løve)
Elle (Paul Verhoeven)
*The Lost City of Z (James Gray)

55th (2017):
*Last Flag Flying (Richard Linklater)
Mrs. Hyde (Serge Bozon)
The Square (Ruben Östlund)
Western (Valeska Grisebach)
Zama (Lucrecia Martel)
Spoor (Agnieszka Holland & Kasia Adamik)
Before We Vanish (Kurosawa Kiyoshi)
Faces Places (Agnès Varda & JR)
The Florida Project (Sean Baker)
The Meyerowitz Stories (New and Selected) (Noah Baumbach)
Call Me by Your Name (Luca Guadagnino)
Félicité (Alain Gomis)
The Other Side of Hope (Aki Kaurismäki)
Thelma (Joachim Trier)
Let the Sunshine In (Claire Denis)
The Day After (Hong Sang-soo)
*Wonderstruck (Todd Haynes)
Lady Bird (Greta Gerwig)
On the Beach at Night Alone (Hong Sang-soo)
120 BPM (Beats Per Minute) (Robin Campillo)
Lover for a Day (Philippe Garrel)
Mudbound (Dee Rees)
The Rider (Chloé Zhao)
Ismael’s Ghosts (Arnaud Desplechin)
*Wonder Wheel (Woody Allen)

56th (2018):
*The Favourite (Yorgos Lanthimos)
In My Room (Ulrich Köhler)
Her Smell (Alex Ross Perry)
Too Late to Die Young (Dominga Sotomayor)
Monrovia, Indiana (Frederick Wiseman)
Wildlife (Paul Dano)
Sorry Angel (Christophe Honoré)
La Flor (Mariano Llinás)
Private Life (Tamara Jenkins)
Ash Is Purest White (Jia Zhangke)
Non-Fiction (Olivier Assayas)
A Family Tour (Ying Liang)
Long Day’s Journey Into Night (Bi Gan)
High Life (Claire Denis)
Burning (Lee Chang-dong)
The Ballad of Buster Scruggs (Joel & Ethan Coen)
*Roma (Alfonso Cuarón)
Hotel by the River (Hong Sang-soo)
Asako I & II (Hamaguchi Ryusuke)
Happy as Lazzaro (Alice Rohrwacher)
Grass (Hong Sang-soo)
Ray & Liz (Richard Billingham)
Shoplifters (Koreeda Hirokazu)
A Faithful Man (Louis Garrel)
Cold War (Paweł Pawlikowski)
3 Faces (Jafar Panahi)
Transit (Christian Petzold)
If Beale Street Could Talk (Barry Jenkins)
The Image Book (Jean-Luc Godard)
*At Eternity’s Gate (Julian Schnabel)

57th (2019):
*The Irishman (Martin Scorsese)
Pain and Glory (Pedro Almodóvar)
First Cow (Kelly Reichardt)
Liberté (Albert Serra)
Synonyms (Nadav Lapid)
Portrait of a Lady on Fire (Céline Sciamma)
The Wild Goose Lake (Diao Yinan)
Young Ahmed (Jean-Pierre & Luc Dardenne)
Oh Mercy! (Arnaud Desplechin)
Zombi Child (Bertrand Bonello)
Bacurau (Kleber Mendonça Filho & Juliano Dornelles)
Fire Will Come (Óliver Laxe)
*Marriage Story (Noah Baumbach)
Sibyl (Justine Triet)
To the Ends of the Earth (Kurosawa Kiyoshi)
Wasp Network (Olivier Assayas)
Parasite (Bong Joon-ho)
The Whistlers (Corneliu Porumboiu)
A Girl Missing (Fukada Koji)
Martin Eden (Pietro Marcello)
The Traitor (Marco Bellocchio)
Vitalina Varela (Pedro Costa)
Beanpole (Kantemir Balagov)
Saturday Fiction (Lou Ye)
I Was at Home, But… (Angela Schanelec)
Varda by Agnès (Agnès Varda)
Atlantics (Mati Diop)
The Moneychanger (Federico Veiroj)
*Motherless Brooklyn (Edward Norton)

58th (2020):
*Lovers Rock (Steve McQueen)
Malmkrog (Cristi Puiu)
The Calming (Song Fang)
Gunda (Viktor Kossakovsky)
Time (Garrett Bradley)
MLK/FBI (Sam Pollard)
Isabella (Matías Piñeiro)
Night of the Kings (Philippe Lacôte)
City Hall (Frederick Wiseman)
Days (Tsai Ming-liang)
Mangrove (Steve McQueen)
*Nomadland (Chloé Zhao)
The Disciple (Chaitanya Tamhane)
The Salt of Tears (Philippe Garrel)
Swimming Out Till the Sea Turns Blue (Jia Zhangke)
I Carry You With Me (Heidi Ewing)
The Woman Who Ran (Hong Sang-soo)
Red, White and Blue (Steve McQueen)
Atarrabi and Mikelats (Eugène Green)
Beginning (Dea Kulumbegashvili)
The Truffle Hunters (Michael Dweck & Gregory Kershaw)
Notturno (Gianfranco Rosi)
Tragic Jungle (Yulene Olaizola)
Undine (Christian Petzold)
*French Exit (Azazel Jacobs)

59th (2021):
*The Tragedy of Macbeth (Joel Coen)
The First 54 Years: An Abbreviated Manual for Military Occupation (Avi Mograbi)
Bergman Island (Mia Hansen-Løve)
The Worst Person in the World (Joachim Trier)
Bad Luck Banging or Loony Porn (Radu Jude)
Futura (Pietro Marcello & Francesco Munzi & Alice Rohrwacher)
Benedetta (Paul Verhoeven)
The Souvenir Part II (Joanna Hogg)
Il buco (Michelangelo Frammartino)
Titane (Julia Ducournau)
Ahed’s Knee (Nadav Lapid)
Flee (Jonas Poher Rasmussen)
The Velvet Underground (Todd Haynes)
The Girl and the Spider (Ramon and Silvan Zürcher)
Prayers for the Stolen (Tatiana Huezo)
Vortex (Gaspar Noé)
*The Power of the Dog (Jane Campion)
Wheel of Fortune and Fantasy (Hamaguchi Ryusuke)
What Do We See When We Look at the Sky? (Alexandre Koberidze)
Neptune Frost (Saul Williams & Anisia Uzeyman)
In Front of Your Face (Hong Sang-soo)
A Chiara (Jonas Carpignano)
Drive My Car (Hamaguchi Ryusuke)
Introduction (Hong Sang-soo)
Passing (Rebecca Hall)
France (Bruno Dumont)
Întregalde (Radu Muntean)
Memoria (Apichatpong Weerasethakul)
Unclenching the Fists (Kira Kovalenko)
Petite Maman (Céline Sciamma)
Hit the Road (Panah Panahi)
*Parallel Mothers (Pedro Almodóvar)

60th (2022):
*White Noise (Noah Baumbach)
Corsage (Marie Kreutzer)
Descendant (Margaret Brown)
Master Gardener (Paul Schrader)
A Couple (Frederick Wiseman)
Triangle of Sadness (Ruben Östlund)
Walk Up (Hong Sang-soo)
Stars at Noon (Claire Denis)
De Humani Corporis Fabrica (Véréna Paravel & Lucien Castaing-Taylor)
TÁR (Todd Field)
Saint Omer (Alice Diop)
Scarlet (Pietro Marcello)
Pacifiction (Albert Serra)
Showing Up (Kelly Reichardt)
Alcarràs (Carla Simón)
*All the Beauty and the Bloodshed (Laura Poitras)
The Novelist’s Film (Hong Sang-soo)
Aftersun (Charlotte Wells)
One Fine Morning (Mia Hansen-Løve)
Enys Men (Mark Jenkin)
Decision to Leave (Park Chan-wook)
No Bears (Jafar Panahi)
Unrest (Cyril Schäublin)
R.M.N. (Cristian Mungiu)
Stonewalling (Huang Ji & Otsuka Ryuji)
The Eternal Daughter (Joanna Hogg)
All That Breathes (Shaunak Sen)
EO (Jerzy Skolimowski)
Trenque Lauquen (Laura Citarella)
Return to Seoul (Chou Davy)
Armageddon Time (James Gray)
*The Inspection (Elegance Bratton)

61st (2023):
*May December (Todd Haynes)
The Shadowless Tower (Zhang Lu)
Poor Things (Yorgos Lanthimos)
The Practice (Martín Rejtman)
Fallen Leaves (Aki Kaurismäki)
in water (Hong Sang-soo)
All of Us Strangers (Andrew Haigh)
Youth (Spring) (Wang Bing)
The Settlers (Felipe Gálvez)
Kidnapped (Marco Bellocchio)
Orlando, My Political Biography (Paul B. Preciado)
Green Border (Agnieszka Holland)
Music (Angela Schanelec)
Close Your Eyes (Víctor Erice)
Evil Does Not Exist (Hamaguchi Ryusuke)
*Priscilla (Sofia Coppola)
Anatomy of a Fall (Justine Triet)
Do Not Expect Too Much From the End of the World (Radu Jude)
La chimera (Alice Rohrwacher)%
Pier Paolo Pasolini – Agnès Varda – New York – 1967 (Agnès Varda)%
The Zone of Interest (Jonathan Glazer)
Here (Bas Devos)
Janet Planet (Annie Baker)
The Beast (Bertrand Bonello)
Pictures of Ghosts (Kleber Mendonça Filho)
All Dirt Roads Taste of Salt (Raven Jackson)
About Dry Grasses (Nuri Bilge Ceylan)
Last Summer (Catherine Breillat)
Eureka (Lisandro Alonso)
Perfect Days (Wim Wenders)
In Our Day (Hong Sang-soo)
The Delinquents (Rodrigo Moreno)
*Ferrari (Michael Mann)

62nd (2024):
*Nickel Boys (RaMell Ross)
The Brutalist (Brady Corbet)
Youth (Hard Times) (Wang Bing)
Dahomey (Mati Diop)
Anora (Sean Baker)
Stranger Eyes (Yeo Siew Hua)
Harvest (Athina Rachel Tsangari)
No Other Land (Basel Adra & Rachel Szor & Hamdan Ballal & Yuval Abraham)
Happyend (Sora Neo)
Youth (Homecoming) (Wang Bing)
Misericordia (Alain Guiraudie)
The Seed of the Sacred Fig (Mohammad Rasoulof)
​​Việt and Nam (Trương Minh Quý)
Eephus (Carson Lund)
A Traveler’s Needs (Hong Sang-soo)
On Becoming a Guinea Fowl (Rungano Nyoni)
*The Room Next Door (Pedro Almodóvar)
By the Stream (Hong Sang-soo)
Oh, Canada (Paul Schrader)
My Undesirable Friends: Part I—Last Air in Moscow (Julia Loktev)
Hard Truths (Mike Leigh)
The Shrouds (David Cronenberg)
Pepe (Nelson Carlo de los Santos Arias)
Who by Fire (Philippe Lesage)
All We Imagine as Light (Payal Kapadia)
Transamazonia (Pia Marais)
April (Dea Kulumbegashvili)
Caught by the Tides (Jia Zhangke)
The Damned (Roberto Minervini)
Grand Tour (Miguel Gomes)
Suburban Fury (Robinson Devor)
*Blitz (Steve McQueen)

63rd (2025):
*After the Hunt (Luca Guadagnino)
Peter Hujar’s Day (Ira Sachs)
Gavagai (Ulrich Köhler)
The Secret Agent (Kleber Mendonça Filho)
The Mastermind (Kelly Reichardt)
Kontinental ’25 (Radu Jude)
Late Fame (Kent Jones)
A House of Dynamite (Kathryn Bigelow)
Jay Kelly (Noah Baumbach)
Sentimental Value (Joachim Trier)
Sound of Falling (Mascha Schilinski)
Rose of Nevada (Mark Jenkin)
What Does That Nature Say to You (Hong Sang-soo)
Sirāt (Óliver Laxe)
Duse (Pietro Marcello)
It Was Just an Accident (Jafar Panahi)
If I Had Legs I’d Kick You (Mary Bronstein)
*Father Mother Sister Brother (Jim Jarmusch)
Two Prosecutors (Sergei Loznitsa)
BLKNWS: Terms & Conditions (Khalil Joseph)
The Fence (Claire Denis)
Below the Clouds (Gianfranco Rosi)
I Only Rest in the Storm (Pedro Pinho)
Resurrection (Bi Gan)
Miroirs No. 3 (Christian Petzold)
Romería (Carla Simón)
The Last One for the Road (Francesco Sossai)
Landmarks (Lucrecia Martel)
The Love That Remains (Hlynur Pálmason)
Cover-Up (Laura Poitras & Mark Obenhaus)
The Currents (Milagros Mumenthaler)
Magellan (Lav Diaz)
No Other Choice (Park Chan-wook)
*Is This Thing On? (Bradley Cooper)